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Article: Album Review

Larry McKenna: World On A String

Read "World On A String" reviewed by Richard J Salvucci

by Richard J Salvucci

Larry McKenna is not really a celebrity. He probably never will be. He plays tenor sax in and around Philadelphia. He apparently does not say a lot--although he clearly has a puckish sense of humor. It comes out in his playing. It is possible to drive by his suburban home, vaguely aware that a saxophonist, a ...

6

Article: Album Review

Move 78: Grains

Read "Grains" reviewed by Chris May

by Chris May

A pre-spin hint that this collision of jazz and hip hop is going to be out of the ordinary is apparent from Berlin-based Move 78's lineup. Personnel is Doron Segal synths, Nir Sabag drums, Hal Strewe bass, Meravi Goldman French horn and Aver sampler. On Grains the quintet is joined by the Berlin Philharmonic Orchestra violist ...

8

Article: Album Review

Bill Evans: Tales: Live in Copenhagen (1964)

Read "Tales: Live in Copenhagen (1964)" reviewed by Mike Jurkovic

by Mike Jurkovic

Maybe it is and maybe it isn't as historical in scope as some of the previous ten archival Bill Evans releases from that master of jazz discovery, Zev Feldman, and Evans' estate, but Tales: Live in Copenhagen (1964) is sure fire proof you got nothing but the best on any given night at any given gig ...

Article: Album Review

Lakecia Benjamin: Phoenix

Read "Phoenix" reviewed by Angelo Leonardi

by Angelo Leonardi

A dodici anni dal debutto funk di Retox e dopo il sentito omaggio a John e Alice Coltrane di tre anni fa (Pursuance: The Coltranes) la sassofonista newyorchese realizza il disco della prima maturità, dimostrando di saper padroneggiare le molte influenze assimilate dall'infanzia. Influenze che partono dalla musica latina che ascoltava nel quartiere di Washington Heights ...

Article: Album Review

Satoko Fujii: Hyaku: One Hundred Dreams

Read "Hyaku: One Hundred Dreams" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Inciso al DiMenna Center di New York nel settembre 2022, questo album è forse il migliore, il più importante e ambizioso, realizzato dalla pianista giapponese in tempi recenti (e sappiamo quanto corposa sia la sua produzione da un po' di anni in qua). Basta, da subito, scorrere i nomi coinvolti nel progetto (in special modo il ...

8

Article: Album Review

Shuteen Erdenebaatar: Rising Sun

Read "Rising Sun" reviewed by Mike Jurkovic

by Mike Jurkovic

It is most invigorating and affirming to stand witness to new talent. New givers of themselves despite the cold, gale-force headwinds that rise up against most, if not all, artistic endeavors. Fortunately, Rising Sun, the more than mature and compelling Motema Music debut of pianist/composer Shuteen Erdenebaatar and her award-winning quartet, is one of those statements. ...

28

Article: Album Review

Sharon Minemoto: Dark Night, Bright Stars

Read "Dark Night, Bright Stars" reviewed by Jack Bowers

by Jack Bowers

Dark Night, Bright Stars, the second recording by Vancouver, Canada-based pianist Sharon Minemoto and her well-knit quartet, has no need for unseemly frills or flourishes. This is simply clear, plain-spoken contemporary jazz, ably performed by Minemoto and her talented teammates. The album's dozen numbers, all written and arranged by Minemoto, are tasteful and ...

9

Article: Album Review

Curtis Counce: You Get More Bounce With Curtis Counce!

Read "You Get More Bounce With Curtis Counce!" reviewed by Richard J Salvucci

by Richard J Salvucci

When bassist Curtis Counce died of a heart attack at the age of 37 in 1963, the jazz world was deprived of a major talent. Not that one would have known much, for his death, while noted, was not extensively covered. Counce, a Midwesterner, had come to California and to Los Angeles to learn his craft, ...

6

Article: Album Review

Jimi Hendrix Experience: Live At The Hollywood Bowl – August 18, 1967

Read "Live At The Hollywood Bowl – August 18, 1967" reviewed by Doug Collette

by Doug Collette

The archiving of Jimi Hendrix' vault has apparently reached the point where what happens on a given release is less important than when it happened. So it is with Live At The Hollywood Bowl--August 18, 1967, the setlist for which is similar to that of his ground-breaking June '67 performance at Monterey Pop, one ...

11

Article: Album Review

Cal Tjader: Catch The Groove: Live at the Penthouse 1963-1967

Read "Catch The Groove: Live at the Penthouse 1963-1967" reviewed by Troy Dostert

by Troy Dostert

It would be unusual to hear vibraphonist Cal Tjader mentioned alongside the all-time greats on his instrument. He is not remembered for being a fearless improviser like Bobby Hutcherson, or as deeply soulful as Milt Jackson, or as hard-swinging a presence as Lionel Hampton. Moreover, one will search in vain in his biography for the hard-fought ...


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