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Norma Winstone, Kit Downes: Outpost Of Dreams
by Chris May
Any release by Norma Winstone is an event and Outpost Of Dreams, her much anticipated first album since 2018's Descansado (Songs For Films) (ECM), rises to expectations. It presents her in a new duo setting with pianist Kit Downes, a star in his own right who is equally on point as an accompanist. His sensitive, empathetic ...
Josh Lawrence: Measured Response
by David A. Orthmann
Art Hirahara's brief, cryptic solo piano intro to “Where Do We Go?," the opening track of trumpeter/flugelhornist Josh Lawrence's album, offers little indication of what immediately follows: Lawrence's warm-toned, delectable horn surrounded by relaxed, straightforward, middling-tempo swing courtesy of bassist Luques Curtis and drummer Rudy Royston. This intriguing transition sets the stage for a recording that ...
Cheryl Duvall, Patrick Giguère: Intimes Exubérances
by John Eyles
Toronto-based pianist Cheryl Duvall is one of Canada's leading interpreters of contemporary music. In 2011, she co-founded the chamber group Thin Edge New Music Collective (TENMC) along with the equally praise-worthy violinist Ilana Waniuk. Since then, they have commissioned over eighty works and collaborated with such renowned performers as Charlotte Mundy, Jason Sharp, and Ensemble Paramirabo--with ...
Enrico Casarotto Trio: Pure
by Neri Pollastri
La ventiseesima uscita di nusica.org vede all'operra il nuovo trio del chitarrista trevigiano Enrico Casarotto, autore di tutte le composizioni e perciò latore della cifra stilistica di un lavoro che, comunque, si avvale in modo essenziale degli apporti eccellenti di Andrea Lombardini al basso elettrico e di Luca Colussi alla batteria. La cifra, appunto, ...
137: Strangeness Oscillation
by Chris May
More comebacks than Sinatra? Well, not really, given that this is the first one, but the return of the beyond-category British saxophonist and flautist Larry Stabbins after an eleven-year absence is headline news. In 2013, Stabbins (a.k.a. Stonephace) very publicly announced that he was beyond disgusted with the music business in general and the jazz business ...
Avishai Darash: Between Hope and Despair
by Neil Duggan
Having a regular salary and a prestigious position would be considered as a successful achievement for many musicians. Israeli-born pianist and Amsterdam resident, Avishai Darash decided to buck the trend and gave up his position as artistic director and pianist for the innovative Marmoucha Orchestra to return to his solo career. Whilst stepping out of his ...
Anthony Braxton Saxophone Quartet: Sax QT (Lorraine) 2022
by Mark Corroto
Anthony Braxton's music can often be compared to that reoccurring dream many people have where they have an upcoming university exam. Still, they neither attended the classes nor studied for the test. The reason may be that his graphic notations along with his scores can be formidable and downright indecipherable. Listeners recognize the great man is ...
Linda Sikhakhane: Iladi
by Mike Jurkovic
The music of South African saxophonist Linda Sikhakhane does not so much originate from a particular point in time or space or history as much as it expands and accelerates forth from the sub-Sahara's heady mists. Billowing, charging. Seething, soothing. So ease back and let Iladi (a Zulu wisdom ritual) happen. Let the moves of diaspora move ...
Janel Leppin, Ensemble Volcanic Ash: To March Is To Love
by Glenn Astarita
Janel Leppin, a multi-instrumentalist and composer known for her innovative approach to music, leads her Ensemble Volcanic Ash in their latest release, To March Is To Love. Her debut album, Ensemble Volcanic Ash, released in 2022, garnered widespread acclaim. Now, with her follow-up, Leppin continues to push boundaries and explore new sonic landscapes. This project, recorded ...
Peter Brötzmann & Paal Nilssen-Love: Chicken Shit Bingo
by John Sharpe
The late German reedman Peter Brötzmann thrived on hook ups with drummers. A roll call of his fellows over his career would read like a percussion who's who, but one of his most favored partners over the last period of his life was Paal Nilssen-Love. After the Norwegian had joined Brötzmann's Chicago Tentet in 2004, he ...
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