Home » Search Center » Results: Album Review
Results for "Album Review"
Antonio Della Marina: Sanje
by Mark Corroto
Sound sculptor Antonio Della Marina is an electronic music composer whose work primarily resides in the realm of installation art, creating immersive multimedia experiences for museums and performance spaces. His creative focus lies in the intersection of psychoacoustics and spatial perception--how sound behaves within and transforms a given environment. Sanje originated as part of ...
Michael Dease: City Life: Music of Gregg Hill
by Dan McClenaghan
Jazz trios featuring a horn, bass and drums get right to the core of musical expression. With, most commonly, a saxophone--see Sonny Rollins' blueprint for the horn and trio setting, the 1957 Contemporary Records album Way Out West--the music flows freely. The players do not need to chase chords around. The result is a stretching of ...
Sharon Mansur: Trigger
by Neil Duggan
Israeli keyboard player Sharon Mansur carries her many influences into Trigger, her debut album on the ACT label. Those influences include classical piano, heavy metal, progressive rock, electronica and Middle Eastern traditions, all fused with improvisational flair to create an intriguing jazz hybrid. It is her classical background and progressive rock influences that make ...
Sean Hamilton: Days of Impermanence
by Mark Corroto
Western Colorado drummer Sean Hamilton possesses a restless creative spirit--something that pulses clearly through his music. Like many artists, whether painters, sculptors, chefs, or writers, Hamilton is compelled to communicate, to express ideas that transcend language. He does so not only through his solo work but in collaboration with musicians, visual artists, and dancers alike.
Fred Hersch: The Surrounding Green
by Neil Duggan
In a world where turmoil arrives almost instantly via notifications on our devices, a Fred Hersch album feels like sanctuary--an invitation to slow down and listen deeply. The Surrounding Green, his third release for ECM, once again finds the pianist in tandem with producer Manfred Eicher, the ideal partner to bring focus to the pianist's gentle ...
Alon Farber: Dreams I Dream
by Jack Bowers
Israeli-born, Berklee-educated saxophonist Alon Farber leads his able-bodied quartet, Hagiga, through its paces on Dreams I Dream, the ensemble's third recording for Origin Records and fifth overall since its inception in 2001. Even though Farber's name is on the marquee and his imprint is on every number, this is a group enterprise in ...
Danny Kamins: Pracownia Wschodnia/The Creamery
by Mark Corroto
Texas saxophonist Danny Kamins heads to church. Musically speaking, that means the sacred sound of John Coltrane. But before he can fully enter that space, he must first run the gauntlet and undergo a kind of sonic purification. This process is reflected in both his discography and the opening moments of Pracownia Wschodnia / The Creamery. ...
Alan Shorter: Mephistopholes to Orgasm Revisited
by Stefano Merighi
In questo CD dedicato ad Alan Shorter (tromba, flicorno, composizione) si ripropongono le sedute integrali di Orgasm (1968), precedute però da Mephistopheles," di tre anni precedente, che figurava nella scaletta di The All Seeing Eye, del più celebre fratello Wayne. È un pezzo di una cupezza angosciante, sostenuto da un pedale ritmico minaccioso, dalle cui spire ...
Mitch Towne: Refuge
by Kyle Simpler
After organ trios came to prominence during the 1950s, jazz groove has never been the same. Performers like Jack McDuff, Jimmy McGriff, and most notably Jimmy Smith introduced a new level of soul to jazz music. With Refuge, organist Mitch Towne makes a compelling debut as a leader, adding his name to a who's who of ...
Deborah Silver: Deborah Silver with the Count Basie Orchestra: Basie Rocks!
by Jack Bowers
Basie Rocks! A great idea? One best left on the cutting-room floor? Or perhaps a little of both? There are reasonable arguments to be made on all sides of the equation. On the one hand, this is the one and only Count Basie Orchestra, swinging in its own exceptional way. On the other, the orchestra has ...


