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Lee Morgan: Here's Lee Morgan
by C. Andrew Hovan
While Craft Recordings' new OJC reissue series has largely drawn from its treasure trove of Prestige and Riverside titles, the label recently expanded its scope to include two standout jazz albums from Chicago's historic Vee-Jay Records. Founded in 1953 by husband-and-wife team James Bracken and Vivian Carter, Vee-Jay was not only one of the ...
Matthew Shipp: The Cosmic Piano
by Dan McClenaghan
Pianist Matthew Shipp has a mathematical side: The Multiplication Table (hatOLOGY, 1998) and The Piano Equation (Tao Forms, 2020) hint at this. He has a metabolic side: DNA (Thirsty Ear, 1999) and Right Hemisphere (Rogueart, 2008). And he has a solar system side: Gravitational Systems (hatOLOGY, 2000) and New Orbit (Thirsty Ear, 2001). And finally, though ...
BARI-ed Alive: Put It There
by Pierre Giroux
In an era teeming with standard horn sections and predictable lineups, BARI-ed Alive's Put It There stands out as a bold and sonorous declaration of individuality. The sextet's audacious choice to feature three baritone saxophones--masterfully played by Alex Dean, Shirantha Beddage, and Chris Gale--creates a sound that is muscular, bottom-heavy, and perhaps surprisingly buoyant. Rounded out ...
Jim Self: My America 3/My Country
by Jack Bowers
Tuba maestro Jim Self, who always has a creative trick or two up his ample sleeve, has subtitled the third volume of My America, his recorded tribute to the land of the free and the home of the brave, My Country, to which he could have added the word “music," as this is an album of ...
Spanish Harlem Orchestra: Swing Forever
by Angelo Leonardi
La prorompente miscela di “salsa dura" con elementi afrocubani e influenze jazz torna in questo nono disco della Spanish Harlem Orchestra, sempre guidata dal suo fondatore Oscar Hernández. Se il precedente album era dedicato alla memoria dei grandi bandleader Manny Oquendo, Barry Rogers, Andy e Jerry Gonzalez stavolta ci si ispira allo swing delle big band, ...
Jim Watson: Calling You Home
by Neil Duggan
Pianist Jim Watson's wide-ranging career has seen him collaborate with an amazing array of artists across the jazz and pop genres, including Manu Katche, Kurt Elling, Sting, Richard Bona, Chrissie Hynde and Meshell Ndegeocello, to name just a few. This versatility bears fruit in both his compositions and choice of covers on his solo album Calling ...
Naïssam Jalal: Souffles
by Ian Patterson
Not one to stand still for long, flautist/vocalist Naïssam Jalal moves between at least eight different bands, four of which she leads. Born in France to Syrian parents, Jalal's music draws on a wide range of roots and traditions--from ritual trance to rap; from African and Middle Eastern rhythms to North Indian classical, jazz and free ...
Saul Dautch: Music for the People
by Jack Bowers
It is always a pleasure to hear a straight-ahead contemporary jazz quintet whose front line consists of baritone sax and trumpet, especially when it is as well-drawn as Florida-bred baritone Saul Dautch's debut recording, Music for the People, on which he shares melodic assignments with trumpeter Noah Halpern and, to a lesser extent, pianist Miki Yamanaka. ...
Ellery Eskelin: About (or On), First Visit
by Stefano Merighi
All'interno di un catalogo variegato ma di sicuro assottigliato negli ultimi anni, il tenorsassofonista Ellery Eskelin ha dato prova di controllare una cultura musicale ampia e sofisticata, nutrita sia dalla tradizione gospel e blues che dalle decostruzioni postmoderne. I due dischi di cui la ezzthetics stavolta meritoriamente cura la riedizione, pubblicati nel 2011 e ...
Polar Bear: Dim Lit
by Andrew Hunter
When Polar Bear released Dim Lit in 2004, shortly after being nominated for Best Band at the BBC Jazz Awards, it was clear that the British quartet led by drummer Sebastian Rochford were going to make some waves. Mark Lockheart (sax) was already in the middle of a successful career, having played with Django Bates and ...
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