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Bob Holz: Honoring Larry Coryell
by Glenn Astarita
The late Larry Coryell, widely hailed as the godfather of jazz fusion, devoted decades to blending jazz improvisation with rock vitality. His influence on guitar technique still cuts across generations. Drummer and bandleader Bob Holz, a prominent West Coast fusion figure, pays homage through these two vibrant 2015 live sessions. Rather than a static relic, the ...
Mike Clark: Itai Doshin
by Jack Bowers
Itai Doshin is a Buddhist term that, translated from Japanese, refers to a state of harmony wherein individuals share a common goal and purpose, or “many in body, one in mind." That is the level California-based drum legend Mike Clark's quintet strives for on Clark's second album on Gregory Howe's Wide Hive label. ...
Allison Philips: Make it Better
by Daniel Lehner
In agreement with the wistful but pleasant nostalgia of the photograph of her grandmother that adorns its cover, there is a dignified, almost blue collar ethos imbued within the locomotive, highbrowed modern jazz of Brooklyn trumpeter Allison Philips' Make It Better," where warm, resolute melodies ground the improvisation templates with a sense of purpose, history and ...
Rolling Stones: Black and Blue (2CD)
by Doug Collette
Forgetting for the moment any revisionism applied to the Rolling Stones album Black & Blue (Rolling Stones Records, 1976), the iconic British band was in more than a little disarray when it repaired to a variety of studios for recording sessions beginning roughly two years prior to issue. Still, retrospect applied via the reissue(s) of the ...
Lafayette Gilchrist: Move With Love
by Vincenzo Roggero
New Volcanoes è una delle creature musicali che rappresentano al meglio la visione musicale di Lafayette Gilchrist, pianista e compositore nato a Washington, D.C. nel 1967, a lungo nelle formazioni di David Murray, nuovo pianista nell'ultima Sun Ra Arkestra, grande conoscitore della cultura hip-hop, apprezzato autore della colonna sonora per l'acclamata serie televisiva The Wire.
Atlantis Quartet: Live at Berlin
by Glenn Astarita
Naming a debut live album after the venue itself is a bold move, proclaiming the music and space as one. With Live at Berlin, recorded during the opening week of Minneapolis' newest jazz haunt in February 2024, Atlantis Quartet--saxophonist Brandon Wozniak, guitarist Zacc Harris, bassist Chris Bates, and drummer Pete Hennig--does not merely make the case; ...
High Society New Orleans Jazz Band: Live at Birdland
by Jack Bowers
Long before Bird (Charlie Parker), Diz (Dizzy Gillespie), Prez (Lester Young), the Count (Count Basie) or the Duke (Duke Ellington) raised their voices, jazz was being performed, for audiences large and small, in New Orleans and other cities and towns along the Mississippi River and elsewhere, lending those yet to come the bedrock from ...
Jussi Reijonen: Sayr: Salt | Thirst
by Dan McClenaghan
Listening to Finish guitarist/oudist Jussi Reijonen's Sayr: Salt | Thirst without delving into his rich backstory is a journey into two extended solo guitar pieces that play out as ruminative dream states. Concentrating on just the sound, images of Lightnin' Hopkins might come to mind: the bluesman huddled down in a small, dim hotel room after ...
Zack Lober: So We Could Live
by Marco Iacoboni
Zack Lober torna con un lavoro che alza l'asticella dell'attenzione su uno dei musicisti più interessanti dell'attuale scena jazz contemporanea. Il contrabbassista canadese, da anni residente in Olanda, presenta un quartetto chordless in perfetta continuità con la tradizione ma animato da una spinta moderna, a cavallo tra le sonorità newyorchesi e quelle europee.Il riferimento ...
Tom Ollendorff: Where In The World
by Neil Duggan
Since 2021, guitarist Tom Ollendorff has been evolving his sound over two promising albums. Where In The World marks a flowering of his talent, showing sophisticated playing and refined composing. Some of the impetus for this progression stems from his first collaboration with pianist Aaron Parks, whose style forms a natural synergy with Ollendorff's and proves ...
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