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Gutbucket: Cascades and Collisions
by Gordon Marshall
Over its 12-year career, Gutbucket has resituated its various musical parts like the pieces of a Rubik's cube. The elements of that cube, the sonic strains, have remained similar--an amalgam of fuzz rock, jumpy jazz, post-serial classicism--but its panoply of shifting color has been redeployed in unique ways on each of the Brooklyn-based quartet's five CDs, ...
David S. Ware / Cooper-Moore / William Parker / Muhammad Ali: Planetary Unknown
by Troy Collins
Renowned saxophonist David S. Ware continues to explore new avenues following his successful kidney transplant two years ago. Since then, Ware released Saturnian (AUM Fidelity, 2009), a stoic solo set, and Onecept (AUM Fidelity, 2010), a bristling trio excursion with bassist William Parker and drummer Warren Smith. Planetary Unknown surpasses even these notable recordings, featuring an ...
Lee Konitz: New York, NY June 5, 2011
by Warren Allen
Lee Konitz / Bill Frisell / Gary Peacock / Joey BaronThe Blue NoteNew York, NYJune 5, 2011 Descriptions of alto saxophonist Lee Konitz often place a little too much weight on his role as a musician of yesteryear. Certainly, Konitz's contributions as one of the first cool players in the bands ...
David S. Ware - Planetary Unknown (Aum Fidelity, 2011)
There are few musicians quite as dedicated to their craft as saxophonist David S. Ware. Coming up on the loft scene, apprenticing with Cecil Taylor, driving a cab during the lean years, and surviving a kidney transplant, all of the ups and downs of his life go into the passion of his music. On this album, ...
David S. Ware / Cooper-Moore / William Parker / Muhammad Ali: Planetary Unknown
by Nic Jones
Planetary Unknown marks the first time this quartet played together, though that isn't apparent, given the music's deep roots and connections. Drummer Muhammad Ali is brother to Rashied, who worked with John Coltrane's post-Elvin Jones group. This is his first appearance on record since the early 1980s, and he brings a wealth of ...
Jen Shyu and Theo Bleckmann: Breaking the Song Barrier
by Daniel Lehner
Before Robert Moog came out with the first synthesizer, before Adolphe Sax invented his famous reed instrument, before the trumpets sounded at Jericho, even before the world's ancient tribes tightened their animal skins to make drums, humanity's first instrument was the voice. Not that this is of particular consequence to Theo Bleckmann. To me, that argument ...
Flow Trio: Set Theory, Live At The Stone
by John Sharpe
Recorded live at NYC's The Stone, Set Theory constitutes the third release by Flow Trio, following its excellent studio set, Rejuvenation (ESP, 2009) and an earlier live disc, like this one, on Ayler Records. An appropriate home for this band, as it happens, for the legendary Albert Ayler looms large in Flow Trio mainstay, saxophonist Louie ...
Louis Moholo-Moholo / Dudu Pukwana / Johnny Dyani / Frank Wright: Spiritual Knowledge And Grace
by Sid Smith
Accidents are part and parcel of any kind of improvised music. Such occurrences can be fickle things with a capacity to make or break a situation. So, when Chris McGregor was prevented from joining the first night of a Dutch tour by The Blue Notes in 1979, Louis Moholo-Moholo, Dudu Pukwana and Johnny Dyani embraced the ...
Travis Sullivan: This Cat Plays the Sax
by R.J. DeLuke
Travis Sullivan composes and arranges with a fine flair. For about the last six years, he's proven himself a strong leader of a large band, running the Bjorkestra, an acclaimed unit that plays slick, intricate and sometimes burning jazz versions of songs by popular Icelandic singer/songwriter Bjork.It's a band that's an audience pleaser and ...
Wandering Visions: The 2011 Vision Festival
By Steve Dalachinsky a paradise of flowers where peace might build her nest." Percy Shelly For 16 years the Vision Festival has led a nomadic existence. Wandering from one venue to another, this brave band of Visionaries,which I am proud to be a part of, with the ever present, stalwart & persistent Patricia Nicholson Parker at ...





