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Results for "Albert Ayler"
Jure Pukl: Doubtless
by Roger Farbey
Melissa Aldana guested on two tracks featured on Jure Pukl's previous album Hybrid (Whirlwind, 2017), so it's no surprise that she's been recruited again for Pukl's follow-up recording. However, taking a slightly different tack, the saxophonist has dispensed with a piano or any chordal instrument for this set. But having two front line tenor saxophones isn't ...
Gary Peacock: Tangents
by Mario Calvitti
Nel corso della sua lunghissima carriera, il nome di Gary Peacock è stato molto frequentemente associato ad alcuni grandi pianisti che hanno rivoluzionato la concezione del piano trio, a cominciare dai suoi sodalizi negli anni '60 con Paul Bley e Bill Evans; con quest'ultimo il rapporto è stato di breve durata, ma ha lasciato tracce evidenti ...
Dave Manington's Riff Raff: Challenger Deep
by Roger Farbey
Dave Manington's third album as leader is an intriguing one. It defies the listener's expectations as it progress through its titles. For example, the Chick Corea /Flora Purim-esque opening to “Dr. Octopus" may lead the listener into false assumptions of the Latin kind. Similarly, the ensuing title track, including Tom Challenger's Albert Ayler-like tenor wails and ...
As Serious As Your Life: Black Music And The Free Jazz Revolution 1957-1977
by Ian Patterson
As Serious As Your Life: Black Music And The Free-Jazz Revolution, 1957-1977 Val Wilmer 408 Pages ISBN: 978 1 78816 071 1 Serpent's Tail 2018 First published in 1977, journalist, author and black music historian Val Wilmer's As Serious As Your Life... makes a welcome print return at a ...
Meet Mark Weber
by Tessa Souter and Andrea Wolper
Almost every aspect of Mark Weber's life ends up intersecting with jazz; he just might be the original Renaissance jazz fan. A former wedding photographer, he found himself photographing nearly every jazz musician to pass through Los Angeles and Albuquerque in the past several decades and, without planning to, ended up writing for CODA, deejaying a ...
Cecil Taylor: Courage in Creation
by Nick Catalano
Ever since innovative artists were faced with reflecting and reacting in their art to seismic events (WWI) revolutionary science (Einsteinian relativity, Darwinian evolution, and political convolution (fascism, bolshevism) over a century ago, many faced years of scorn and condemnation. When they chose abstraction in art (Mondrian, Kandinsky) dissonance in music (Schoenberg, Bartok) or stream of consciousness ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Cecil Taylor: 1929-2018
by Karl Ackermann
As he approached the age of ninety, Cecil Taylor could be excused for some of his indulgences. Still highly opinionated on a range of subjects; still chain smoking, still harboring old resentments, and so on. For a man from whom new ideas sprang constantly and effortlessly, Taylor could get stuck in real-world dramas. He had a ...
Paula Shocron: Paths to a New Sound
by Jakob Baekgaard
When Werner X. Uehlinger, the founder of Hat Hut Records, was asked about a statement on why he liked Argentinian pianist Paula Shocron's music, the answer was clear, short and succinct: “The quality of surprise." Uehlinger discovered Shocron's music through her work with the SLD Trio and he liked their debut Anfitrión so much that the ...
William Parker: Embracing The Unknown
by Luke Seabright
His is one of the most distinctive and respected voices on double bass today. William Parker, the tireless composer, multi-instrumentalist, educator and poet, is still today omnipresent on the contemporary free jazz scene. What's more, he has been consistently for the last four decades. The William Parker Sessionography: A Work in Progress by Rick Lopez clocks ...
