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Jeanne Lee and Mal Waldron: After Hours
by Alexander M. Stern
Mal Waldron’s passing this past December robbed jazz of one of its finest and most original pianists. His long career was marked by many high points, including stints with Billie Holiday, Charles Mingus, Eric Dolphy and Booker Little. It is especially wonderful to listen to Waldron in solo and duet settings, where his unique style on ...
Jeanne Lee/Mal Waldron: After Hours
by Rex Butters
Like too many utterly original and fearless jazz artists, Jeanne Lee’s audience and reputation seems to reside more within the community of musicians than listeners. Despite remarkable classic recordings with Archie Shepp, Anthony Braxton, Carla Bley, Andrew Cyrille, Billy Bang, William Parker, Steve Coleman, and of course, Gunter Hampel, Lee has never received the notoriety due ...
After Hours
By Carmen McRae
Label: LMM
Released: 2002
Track listing: Prelude To A Kiss; They Say Falling In Love Wonderful; Moonlight In Vermont; Dearly Beloved; Loverman; Midnught; The Sound Of Love; Come Rain Or Shine; Undecided; Secret Love; Mood Indigo;
Eric Allison: After Hours
by Robert Spencer
Remember Bob Weinstock? He ran Prestige Records in the 1950's and 1960's: Home of Miles Davis, Sonny Rollins, John Coltrane, Thelonious Monk (before an acrimonious parting of the ways), Eric Dolphy, and all the rest. Bob Weinstock, along with Orrin Keepnews at Riverside and Alfred Lion at Blue Note, brought modern jazz to the world. Now ...
Eric Allison: After Hours
by Douglas Payne
for using someone else's sound, David (Newman) and Hank (Crawford) would be billionaires." If so, reed man Eric Allison would be paying dues. He'd also be paying the estates of Gene Ammons, Eddie “Lockjaw" Davis and King Curtis too. Does that leave After Hours without merit? Probably not. Allison sounds fine and his program is a ...
Eric Allison: After Hours
by Jack Bowers
After Hours was a mega-hit for trumpeter Erskine Hawkins' orchestra in the '40s, and this second release on Contemporary by reedman Eric Allison is dedicated to the memory of Hawkins and his pianist, Avery Parrish, who wrote After Hours. Further than that, the session embodies the sort of late-night mood that once permeated the club scene ...
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