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Wynton Kelly: Kelly Blue
Pianist Wynton Kelly had a soulful, swinging immediacy about his playing. Best known for his recordings with Miles Davis in 1957 and on Freddie Freeloader for Kind of Blue in 1959, Kelly went out on his own in 1963 with a trio at exactly the wrong time. Album opportunities were drying up and along with club ...
17 Ways To Make Money Selling Tickets On Your Website
When we think of ticket sales in the music industry, we usually think of large concerts or festivals, but there are many other types of events which can be ticketed for that help to supplement an artist's income while simultaneously aiding in building a stronger connection with fans. Guest Post by Allison Sharpe from the Bandzoogle Blog ...
9 Labels Working To Fix A Broken Music Industry
Being a record label today means something very different from what it did twenty years ago, and success can be hard to come by. These labels are experimenting with new ways of releasing music, and redefining what it means to be a record label. Guest Post by Scott Parsons of Landr Lets face it: the record industry is broken. But There’s ...
John Williams: Before Star Wars
If you intended to become a jazz musician in the 1950s, John Williams" was probably not the most ideal name to go with. By my count, there were eight during this time period. This doesn't include several John Williams with middle initials and others known as Johnny Williams. Perhaps the best known of the bunch today ...
Music Education Monday: New Orleans piano with Jon Cleary and Tom McDermott
Given that old adage about converts being the most zealous believers, perhaps it should come as no surprise that two of the most prominent current custodians of the New Orleans piano tradition are transplants to the city. Jon Cleary originally from is England, while Tom McDermott is from right here in St. Louis, but both have ...
Weekend Extra: The MJQ And “Django”
One of the Modern Jazz Quartet’s signature pieces was “Django,” John Lewis’s homage to DjangoReinhardt (1910-1953). Reinhardt’s guitar playing reflected his upbringing in Gypsy communities in France and in Belgium, where he was born, and he became one of the most influential guitarists of his generation. Lewis captured much of the essence of Reinhardt’s music in ...
CT, Zoot And Friends In New Orleans, 1969
As mentioned in Rifftides from time to time, many who attended or played in the original New Orleans Jazz Festival remember it as an example of what a jazz festival can be. The 1968 and 1969 editions of JazzFest were intimate compared with what later became the Jazz And Heritage Festival, a massive Crescent City party ...
5 Legal Requirements Of Every Email Newsletter
For many artists, sending a regular e-newsletter to fans can be a good way to stay connected and keep them up-to-date, but it's important to keep in mind that there are certain limitations and restrictions on what can and must be included in these mass communications. Guest Post by Bobby Owsinski on Music 3.0 You may ...
Jazz this week: "Basie's Birthday Bash," a tribute to Ella Fitzgerald, and more
This week's schedule of live jazz and creative music in and around St. Louis avoids the late-summer doldrums with tributes to two jazz greats, plus a variety of shows in genres and styles ranging from pre-war swing to contemporary to free improvisation. Let's go to the highlights... Friday, August 21 The Jazz St. Louis Big Band ...
Frank Wess: Trombones & Flute
One of my favorite small-group jazz albums of the mid-1950s is Frank Wess's Trombones & Flute. The album, recorded for Savoy in July 1956, paired Wess on flute with four trombonists—Jimmy Cleveland, Henry Coker, Benny Powell and Bill Hughes. They were backed by Ronnell Bright (p), Freddie Green (g), Eddie Jones (b) and Kenny Clarke (d). ...

