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Horace Parlan: Solo Recordings
For much of his recording career, pianist Horace Parlan functioned as a spirited accompanist. He played with Charles Mingus in the late 1950s and then became a house keyboardist for Blue Note Records, appearing behind Lou Donaldson, Tommy Turrentine, Dexter Gordon, Stanley Turrentine and others. He also recorded with Tubby Hayes, Slide Hampton, Eddie “Lockjaw" Davis ...
IBM Partners With Sacem For Music Cloud-Based Rights Management Platform
French performance rights organization Société des auteurs, compositeurs et éditeurs de musique (Sacam) announced that they are partnering with technology giant IBM in a 10-year bid to develop URights, a cloud-based copyright platform designed to track and collect on online music for creators and publishers. URights aims to leverage cloud technology and data analytics, including IBM's ...
CD Baby, Music Gateway Partner To Provide New Sync Opportunities For Indie Artists
CD Baby is partnering with Music Gateway and its newly launched Sync Portal which allows 300+ global advertising agencies and 700 music supervisors to easily license tracks from CD Baby’s sync catalog of 2 million songs film, TV, commercials and video games. A new CD Baby and Music Gateway partnership hopes to exploit the advantages that ...
Charles "Bobo" Shaw 1947-2017
Charles Wesley “Bobo" Shaw, a St. Louis drummer who helped found the Black Artists Group, co-led the Human Arts Ensemble, and played with many prominent jazz and creative musicians of the past half-century, has died at a nursing care facility in St. Louis. He was 69 years old. St. Louis trumpeter, arts administrator and impresario George ...
Coltrane’s “Alabama” On TV
Following the release of the John Coltrane Quartet’s album Live At Birdland, theband appeared on Ralph J. Gleason’s Jazz Casual program on public television. Here, Coltrane, pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones revisit “Alabama,” the high point of the Birdland album and a major musical statement about the brutality of racists who ...
Three Sounds: Groovin' Hard
In the early 1960s, a growing number of lounges and clubs geared to young adults began emerging in Chicago. Some clubs such as the Playboy Club, which first opened in Chicago in 1960, pulled in white customers, while plenty of others were aimed at African-American audiences. All of these establishments began featuring jazz-soul trios, offering a ...
YouTube’s Safe Harbor: The Push For Reform
With YouTube being the most used streaming service in the world, the pressure is building from major artists for a reform of the Digital Millennium Copyright Act which currently grants the video site safe harbor provisions harmful to artists. Guest post by Michael Kostaras from Berklee's Music Business Journal. Music industry pressure is mounting on YouTube. In June, ...
MUST READ: Well-Being In The Music Industry
In this follow-up to David Emery's must read post How To Survive The Music Industry In 2017. MD and music industry veteran Darren Hemmings looks at the impact that a life in the music business can have on a person's mental health; and why music companies must do more about it. Guest post by Darren Hemmings MD, Motive Unknown ...
How Musicians Can Benefit From Creating Mobile Apps
Encouraging industry creatives to embrace change and adapt to new technologies, Andrew Gazdecki here outlines several different ways in which mobile apps are changing things, and how artists can benefit from them. Guest Post by Andrew Gazdecki The music industry was transformed when the internet brought everyone online, and that transformation is still ongoing. There might be ...
SoundExchange To Continue To Distribute Most Pandora Royalties To Artists Despite Direct Licensing Deals
Royalties from Pandora’s ad-supported radio service will continue to be paid to artists through SoundExchange, despite recent direct licensing deals with major music companies. The agreement both insures a major income stream for SoundExchange and maintains the performing rights organization's position as a protector of artists. An agreement for SoundExchange to continue to serve as the ...
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