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Sérgio Mendes: Brasil '66
Suffering from poor albums sales as a jazz-bossa pianist at Atlantic Records in 1965, Sérgio Mendes decided to listen to a recommendation made by Richard Adler, a producer at A&M Records. Adler, who would become Mendes's partner, urged him to keep his Brazilian feel but bring on American female vocalists to sing contemporary pop hits in ...
Melvin Sparks: Live at Nectar's
Just three months before guitarist Melvin Sparks died on March 15, 2011 at age 64, he recorded at a club in Burlington, Vt., called Nectar's, a club that's still there today (go here). Sparks was backed by members of his working trio—organist Beau Sasser and drummer Bill Carbone. But on this night, he added alto saxophonist ...
StLJN Saturday Video Showcase: Spotlight on Joey DeFrancesco
This week, StLJN's video spotlight shines on organist Joey DeFrancesco, who's returning to St. Louis to perform Wednesday, May 10 through Saturday, May 13 at Jazz at the Bistro. Back here for the first time since playing in December 2014 at the Bistro, DeFrancesco on this visit is supporting a new recording, Project Freedom, released in ...
FCC Boss Reveals Nefarious Plan To Replace Net Neutrality Rules With Fluff, Nonsense
Having already made his general contempt for net neutrality, it appears current FCC boss Ajit Pai plans to replace current regulations surrounding net neutrality with 'voluntary commitments' from major telecom companies like AT&T and Comcast, leaving any residual regulations the strained FTC. Guest post by Karl Bode of Techdirt FCC boss Ajit Pai has made no ...
Oh, have times changed in Newport
There was a time after the first phase of the Newport Jazz Festival (1954-1971), that jazz pretty much was a dirty word in Newport. The city, known as a playground for the super-rich, was a Navy town transitioning into a tourist mecca. The jazz festival lost its luster after 1969 and 1971 riots by beer-swilling rowdies ...
The Lead Sheet: Twin Cities Live Jazz, April 28-May 4
There's always talk of the sorry state of jazz, but in this state, that stands in sharp contrast to the number of gigs, the number of visiting artists coming our way. As an audience, we may be spoiled in the Twin Cities, as few other areas in the country can boast of so many options. Some ...
Copyright Explained For Creatives [ACM’s Patrick Rackow]
Copyright should be at the top of everyone’s agenda in the music industry as it is what turns our artform into sustainable careers. To celebrate Intellectual Property Day, the Academy of Contemporary Music (ACM) has shared their top tips on how to protect your music, busted common myths around the subject and given their insight into ...
Music PR: How to Pitch Your Work
It should go without saying that one of the most important things you can do for yourself as a solo artist or band is to focus heavily on PR. Unless you can gain an audience, no one knows you exist. How can you sell records that way? The answer is, you can’t! Guest post by Boris Dzhingarov ...
Jazz Cultural Theatre Lives!
Back in 1982, pianist Barry Harris opened a jazz club in New York's Chelsea neighborhood. Harris followed in the wake of a long tradition. Musicians from Shelly Manne and Buddy Rich to Count Basie and others over the years took stabs at running music establishments. The difference was the kind of club that Harris operated. Called ...
Billy Mitchell: Detroit Colossus
It's a disgrace that many of Billy Mitchell's leadership albums aren't available on CD or by download. Mitchell was a tenor saxophonist of extraordinary power and skill, and yet today he's virtually unknown. Many jazz musicians had the misfortune of recording for labels in the 1960s and '70s that were so small that the master tapes ...

