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News: Video / DVD

Stan Getz: Copenhagen Unissued Session 1977

Stan Getz: Copenhagen Unissued Session 1977

On January 29, 1977, tenor saxophonist Stan Getz was in Copenhagen, Denmark, performing at the city's famed Jazzhus Montmartre club. He was joined by Joanne Brackeen (p,el-p), Niels-Henning Ørsted Pedersen (b) and Billy Hart (d). The next day, the quartet went into a studio in Copenhagen and recorded an album for SteepleChase Records. The club material ...

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News: Interview

Jon Burlingame on Peter Gunn

Jon Burlingame on Peter Gunn

In the late 1950s, millions of Americans were undergoing a midlife crisis. From their perspective, rock 'n' roll had turned their kids into teenage adversaries who took all of their hard work during World War II and the post-war years for granted. As baby boomers aged and the culture began shifting to a younger demographic, many ...

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Article: Take Five With...

Take Five with Meg Okura

Read "Take Five with Meg Okura" reviewed by AAJ Staff

by AAJ Staff

Meet Meg Okura Hailed as “the queen of chamber jazz (All About Jazz)," Tokyo-native Meg Okura is a Grammy-nominated jazz composer and violinist based in New York, known for her music praised by The New York Times as “grandiloquent beauty that transitions easily from grooves to big cascades to buoyant swing." Ms. Okura leads her 10-piece ...

News: Video / DVD

Backgrounder: Jazz Sounds From Peter Gunn

Backgrounder: Jazz Sounds From Peter Gunn

One could argue that Henry Mancini picked up where Bill Holman left off. As noted earlier this week, Bill's arrangements for recordings captured the sound of 1950s Los Angeles' jazzy cool, with his charts clutch-shifting like brand-new cars cruising the region's many freeways. Mancini's music, by contrast, was for TV and the movies, and captured the ...

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News: Video / DVD

17 Favorite 1950s Clips by Bill Holman

17 Favorite 1950s Clips by Bill Holman

As an arranger, the late Bill Holman} knew how to set 'em up and knock 'em down. His arrangements always began with a relatively simple melodic idea, which he then whipped up into a flaming meringue, holding dear to the original concept. He loved to put the reeds in play, setting them off with call-and-response harmony ...

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Article: Take Five With...

Take Five with Pianist Marta Karassawa

Read "Take Five with Pianist Marta Karassawa" reviewed by AAJ Staff

by AAJ Staff

Meet Marta Karassawa Marta Karassawa, a Brazilian pianist and arranger, graduated from Berklee College of Music and formed the Marta Karassawa Quintet in 2001, bringing to light the nostalgia of the great jazz quintets of the '40s and '50s. With it, she performed on the stages of various clubs and festivals. Now, completely revamped, she leads ...

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News: Obituary

Bill Holman: (1927-2024)

Bill Holman: (1927-2024)

Willis “Bill" Holman, a three-time Grammy-winning arranger, composer and saxophonist and one of the last-surviving orchestrators who shaped West Coast jazz in the early 1950s, died May 6 in his sleep of natural causes. He was 96. Influenced most by Gerry Mulligan's arranging and the sound of Count Basie's band, Bill began writing for Kenton just ...

News: Recording

Pat Senatore: Groovin' in Rome

Pat Senatore: Groovin' in Rome

At the start of his recording career in 1961, bassist Pat Senatore played in Stan Kenton 's band, both on the road and in the studio. You'll find him on Adventures in Standards and Adventures in Jazz for Capitol. In 1962, Pat joined Les Brown's band and played on TV shows. Then in early 1965, Herb ...

News: Video / DVD

Charles Mingus: Peggy's Blue Skylight

Charles Mingus: Peggy's Blue Skylight

About an hour and 45 minutes north of Manhattan sits the village of Millbrook, N.Y. In the 1960s, a sprawling American Queen Anne mansion just outside the village became something of a counterculture landmark. Built in 1912, the house and the 2,500-acre estate was acquired at the start of the 1960s by the twin sons of ...

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News: Recording

Backgrounder: Larry Young - Into Somethin', 1964

Backgrounder: Larry Young - Into Somethin', 1964

Larry Young was unlike any organist who preceded him. Rather than channel the Black church, he was more influenced by R&B and John Coltrane's tenor saxophone and chord changes on original pieces. One of Young's best middle-period albums—between his early soul-jazz recordings and his modal, avant-garde LPs—is Into Somethin', his first leadership work for Blue Note. ...


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