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Dexter Gordon and Karin Krog
Dexter Gordon accompanied more vocalists than you might imagine. There was Helen Humes in 1950, Gladys Bentley in 1952, Kitty White in 1965, Pony Poindexter in 1966, Vi Redd in 1970, Miriam Klein in 1973, Eddie Jefferson in 1978 and Tony Bennett in 1990. In the mid-1940s, while in Lionel Hampton's band, Gordon accompanied Rubel Blakey; ...
John Stubblefield + Nat Adderley
Chances are you are unfamiliar with John Stubblefield. The obscure saxophonist was versatile and could play soul-jazz, funk-jazz and avant-garde jazz in the 1970s and beyond. Which probably is why he recorded with so many different types of artists and groups over the course of his career. Stubblefield brought enormous heat and polish to his solos, ...
An Essential Guide To Remarketing For Musicians
In an effort to take some of the guessing out of music marketing, here Chris Robley explores the concept of remarketing, wherein artists use the past behavior of fans in order to predict how they'll behave and where they'll spend their money in the future. By Chris Robley of CB Baby from their DIY Musician blog Music ...
Is Japan Finally Ready For The Streaming Revolution?
A new report by indie music rights agency Merlin highlights the slow but now steady shift towards music streaming in Japan, one of the world's last bastions of physical product. As the second largest music market in the world, Japan has been historically slow to take up streaming music despite the presence of advanced broadband capabilities in ...
Think Small: The Key To Building Genuine Music Community
While the recorded industry may still be struggling, live music has seen an impressive 16% increase since 2016, with the market for live music now larger than ever before. One of the key takeaways from this lies in the value which consumers place on being able to intimately connect with these performers, suggesting that going small ...
StLJN Saturday Video Showcase: Stefon Harris and Blackout's "Sonic Creed"
This week, let's take a look at some videos featuring vibraphonist Stefon Harris, who's coming to St. Louis to perform starting next Wednesday, October 31 and continuing through Sunday, November 4 at Jazz St. Louis. Considered one of the top mallet percussionists in jazz, Harris has played here several times in the last few years, most ...
What Role Will The Copyright Office Play In “Noncommercial Use” Of Pre-1972 Recordings Under MMA
Now that the Music Modernization Act has run the gauntlet and been passed into law, Chris Castle takes a hard look at what role of the Copyright Office Examiners will be playing in authorizing the noncommercial use of pre-1972 recordings. Guest post by Chris Castle of Music Tech Solutions Now I never said that Music Modernization ...
Study Reveals How Smart Speakers Impact Music Consumption
A new study from AudienceNet has revealed that, surprise surprise, those over the age of 16 with smart speakers in their homes are listening to more music, for longer periods of time. Guest post by Bobby Owsinski of Music 3.0 To the surprise of no one, a new study finds that the smart speaker trend is ...
Videos: Five Jazz Joes
Cruising around YouTube yesterday evening, I fixated on jazz artists whose first name is Joe. Hardly average, these Joes demonstrated exceptional talent on stage. Here are five videos by jazz artists named Joe: Here's Joe Farrell on tenor saxophone with Elvin Jones on drums and Jimmy Garrison on bass in 1968... Here's tenor saxophonist Joe Henderson ...
BREXIT: How End of Free Movement Will Affect All Musicians
As Brexit proceedings move ominously forward, independent self-employed musicians who tour internationally are starting to worry about what sort of an impact the separation could have on their way of life. Here we look at what the negative outcomes could be. Guest post by Joe Hoten of Bands for Hire With the stormy cloud of Brexit looming ...


