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Gil Mellé: Blue Note Years
Gil Mellé was a fascinating saxophonist and composer. Not widely known today, Mellé [pronounced MELL-ay] was a renaissance man. He played tenor and baritone saxophone, he was a painter, an inventor, he wrote film scores and he led groups. Jazz was a passion, and he worked hard to develop a sound—not an overarching one that identified ...
Recent Listening: Linda May Han Oh
Recent Listening In Brief: Linda May Han Oh, Aventurine (Biophilia) The album title, aptly, seems to suggest adventure. Indeed, the CD contains plenty of that attribute in the bassist-composer’s instrumentation, textures and rhythmic values. The name was suggested, however, by a certain shiny translucent mineral that seems to glow from within, as does much of Ms. ...
How Spotify’s Continued Expansion Is Killing Niche Music Genres
While the rise of streaming is, in many ways, responsible for the music industry's salvation, the vast majority of content streamed on platforms like Spotify generally tends to lean towards the pop/hip hop spectrum. As Thomas Steffens here explains could be bad news for more niche music genres like classical and jazz. Guest post by Thomas Steffens, ...
The Truth Behind The 1,000 True Fan Theory
For some time, a theory has existed in the music industry that, for an artist to have a sustainable if not particularly lavish career, they must have at least 1000, 'true' fans. Here we look at the reality of the math behind this idea. Guest post by Bobby Owsinski of Music 3.0 The “1,000 True Fans ...
Creator Support: A New Way To Pay Artists For Streaming [Mark Mulligan]
How to fairly compensate creators as consumption becomes dominated by streaming is the subject of vigorous debate. But a new model dubbed 'creator support' is gaining traction because it will pay many artists more with minimal impact on the wider royalty pool, says MIDiA's Mark Mulligan. By Mark Mulligan of MIDiA and the Music Industry blog ...
Carlos Lyra: Além da Bossa
In the late 1950s, Rio de Janeiro experienced enormous optimism. North American trade was on the rise, and the advent of jet travel between Brazil, France and the U.S. boosted tourism. Business at the city's hotels, lounges and restaurants soared. Throughout Rio, a new form of music was stirring. It was more jazz-romantic and folk-centric than ...
John Coltrane in 1958
John Coltrane in 1958 was unnerving. If you were a tenor saxophonist back then, Coltrane's playing in clubs and on albums was dazzling and daunting. A year earlier, Coltrane was largely a sideman, most notably with pianists Thelonious Monk, Red Garland, Sonny Clark and Tadd Dameron as well as with a batch of trumpeters. There were ...
Building Your Dream Team: The Music Producer
In this edition of Building Your Dream Team, AWAL breaks down the who, what, when, where, and why of the music industry's sonic explorer, the producer, looking at what role they perform, why it is that you need one on your team, and how you can go about finding one. Guest post from AWAL Building Your ...
The Pennsylvania Bill That Should Worry Musicians Nationwide
A cause of concern for musicians everywhere, there is a new bill which recently sailed through the Pennsylvania House as an amendment to the state's liquor code which would prevent minors who perform at restaurants and clubs from being fairly compensated. Guest post by Wade Sutton of Rocket to the Stars Artist Services The following is ...
StLJN Saturday Video Showcase: Arturo O'Farrill's Afro-Cuban jazz legacy
Today, our video spotlight shines on pianist, composer and bandleader Arturo O'Farrill, who's coming to town to perform this coming Wednesday, May 1 and Thursday, May 2 at Jazz St. Louis. The son of famed musician, arranger, bandleader and Afro-Cuban jazz pioneer Chico O'Farrill, Arturo O'Farrill was born in 1960 in Mexico City and moved with ...
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