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News: Opinion

The Shearing Sound That Wasn't

The Shearing Sound That Wasn't

In 1948, George Shearing and Buddy DeFranco kicked around the idea of forming a quintet. With Shearing's block chords and Buddy's bop clarinet along with their speed, they figured they'd knock out audiences. They performed together with bassist John Levy and drummer Denzil Best at the Clique Club, which would become Birdland a year later. But ...

News: Music Industry

International Jazz Day thoughts about our new world of virtual jazz

International Jazz Day thoughts about our new world of virtual jazz

The world at-large- and the jazz world as we knew it and enjoyed it- have changed drastically over the past six weeks because of the pandemic. No near-term end is in sight for the challenges it has caused. Unless they were held prior to early March, none of the 2020 editions of listeners' favorite jazz festivals, ...

News: Interview

James Harrod: Stars of Jazz

James Harrod: Stars of Jazz

For those who regularly roam YouTube, you've probably come across audio and video clips of a 1950s TV show called Stars of Jazz. Of all the TV jazz show, it was easily the most relaxed and hippest. Beyond the title, you probably know that singer-songwriter and composer Bobby Troup was the show's host. And that's likely ...

News: TV / Film

Doc: Velvet Underground, 2006

Doc: Velvet Underground, 2006

One of the most influential rock albums of the 1960s was The Velvet Underground & Nico. Recorded in 1966 and released in March 1967—three months before the Beatles' Sgt. Pepper—the album broke new ground and set the tone for multiple rock movements of the late 1960s and early '70s. Unlike the Beatles, who came out of ...

News: Music Industry

Jazz musicians silenced by coronavirus, Chapter 2

Jazz musicians silenced by coronavirus, Chapter 2

Here is part two of our chronological listing of jazz-related COVID-19 deaths from the novel coronavirus, updated as we receive them. Our profound sympathies to their families, friends and fans as we remember the musical legacies they have given us. Tenor saxophonist Bootsie Barnes, a Philadelphia jazz legend, died April 22. He was 82. His many ...

News: Video / DVD

Chet Baker: Sweden, 1985

Chet Baker: Sweden, 1985

On June 30, 1985, Chet Baker performed in the library of Sonet Records in Lidingö, Sweden, backed by French pianist Michael Graillier and Belgian bassist Jean-Louis Rassinfosse. As with the Zoot Sims video posted earlier, Red Mitchell conducted an interview that was interspersed between songs. [Photo above of Chet Baker courtesy of YouTube] Chet played the ...

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News: Book / Magazine

Maxine Gordon on Dexter Gordon

Maxine Gordon on Dexter Gordon

Dexter Gordon was a remarkable tenor saxophonist. A towering, dashing figure with an embracing smile and a wry sense of humor, Gordon was a powerful player whose bebop approach was equally assertive and romantic. [Photo above of Maxine Gordon by Fiona Ross, courtesy of Maxine Gordon] A bebop star in Los Angeles in the late 1940s, ...

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News: Obituary

Jazz musicians silenced by coronavirus (updated)

Jazz musicians silenced by coronavirus (updated)

Here's a listing of jazz-related deaths from the novel coronavirus (COVID-19), updated as we receive them. Our profound sympathies to their families, friends and fans as we remember the musical legacies they have given us. Argentina-born jazz saxophonist Marcelo Peralta, died in Madrid on March 10. He was 59. Peralta moved to Spain in 1996. Congolese ...

News: Obituary

Lee Konitz (1927-2020)

Lee Konitz (1927-2020)

Lee Konitz, an alto saxophonist who helped develop an East Coast jazz style in the late 1940s that writers labeled “cool jazz" and went on to establish a sound in Stan Kenton's early 1950s orchestra while exploring free jazz in small groups throughout his career, died on April 15. He was 92. Lee's cool jazz was ...

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News: Obituary

Lee Konitz, 1927-2020

Lee Konitz, 1927-2020

Lee Konitz died today in a New York City hospital. He was 92. Known primarily for the individualism of his alto saxophone work, Konitz in his later years also played soprano saxophone. Using aspects of phrasing, rhythm and tonal quality adapted from the great tenor saxophonist Lester Young, Konitz in the 1940s developed into one of ...


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