Results for "6"

Article: Album Review

Krokofant: 6

by Glenn Astarita
June 13, 2026

Krokofant is a Norwegian trio formed in 2011, built around the combustible chemistry of Tom Hasslan on guitar, Jorgen Mathisen on saxophone and synthesizers, and Axel Skalstad on drums. After two albums as a five-piece, they stripped back to their original trio format for 6, and the results are formidable. “Oh My God" announces ...

Album

Krokofant 6

By Krokofant

Label: Self Produced
Released: 2025
Track listing: Harry Davidson; Triple Dad; Oh My Cod; Country Doom; The Ballade; Pretentious Woman.

Album

6

By Tom Haslan

Label: Is It Jazz?
Released: 2025
Track listing: Harry Davidson; Triple Dad; Oh My God; Country Doom; The Ballade; Pretentious Woman.

Album

6

By Ill Considered

Label: Self Produced
Released: 2019
Track listing: Lies; Gunning; Ward; Waterfall; Amber; I Didn't; Single Leaf; Predator; Percolator.

Article: Album Review

Ill Considered: 6

by Karl Ackermann
August 8, 2019

The London-based quartet, Ill Considered, has churned out nine full-length albums in less than two years, each high quality and each a unique jazz creation. Founded in 2017, saxophonist Idris Rahman, drummer Emre Ramazanoglu and bassist Leon Brichard replaced their additional percussionist with Satin Singh on their second release, Live at the Crypt (Self Produced, 2017). ...

Album

6

By Supersilent

Label: Rune Grammofon
Released: 2003
Track listing: 6.1; 6.2; 6.3; 6.4; 6.5; 6.6.

Album

6

By Barnacled

Label: Corleone Records
Released: 2003

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Article: Album Review

Supersilent: 6

by Mark Corroto
April 2, 2003

The latest release by the Norwegian band Supersilent could be the Bitches Brew of our modern times. Like Miles Davis’s infamous recording, little information about the band or its music making is revealed from the CD packaging. In fact their first three releases, 1-3, 4, followed by the cleverly titled 5, only list producer Helge Sten ...

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Article: Album Review

Supersilent: 6

by AAJ Staff
April 2, 2003

The collisions between the purely acoustic sphere of traditional jazz (okay, throw in a few amplified instruments) and the amorphous universe of electronica have yielded a virtual zoo of hybrid offspring. One major flaw that marks most of these products is that they end up produced to death. That's the price you pay for having too ...