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Album

Breakthrough!

Label: 32 Records
Released: 1999

Album

Alone At Montreux

Label: 32 Records
Released: 1999
Track listing: Gotta Travel On; Blues #3/Willow Weep For Me; Cubano Chant; Rockin

Album

Live At The Village Vanguard

Label: 32 Records
Released: 1999
Track listing: Lodgellian Mode; A Time For Love; Mr. Oliver; What Can We Do; Come Home to Red; Blues in the Guts.

Album

First Light

Label: 32 Records
Released: 1999
Track listing: Line Games; Pyramidal Vision; Mardi Gras; M'Wandishi; Song Bird; Joyous Lake; Starbright; Eyes; Law; Fall; Deeda; Starbright Epilogue; Masquerada; Nefertiti; Blue Macaw; City Lights; Prelude; Epilogue.

Album

The Complete Muse Recordings

Label: 32 Records
Released: 1999
Track listing: Dom's Tune, Cravo E Canela, Family Talk, Ponteio, Braun-Blek-Blu, Adeus Maria Fulo, Ginga Gingou, Wait on the Corner, Lamento Negro, Highway, The Angels, The Salvation Army, Cosinha

Album

The Real Thing

Label: 32 Records
Released: 1999

403

Article: Album Review

Bobby Hutcherson: In The Vanguard

Read "In The Vanguard" reviewed by Jim Santella


The reissue of Bobby Hutcherson's live Village Vanguard session from December 5-6, 1986 isn't the first. It's such a fine album that it's been issued quite a few times and has garnered high ratings. 32 Jazz has included Bob Blumenthal's original liner notes in which he lists several from the long list of jazz artists who've ...

283

Article: Album Review

Roy Ayers: Stoned Soul Picnic

Read "Stoned Soul Picnic" reviewed by Douglas Payne


Stoned Soul Picnic is vibraphonist Roy Ayers' third and probably best solo album, made in 1968 while he was still a part of Herbie Mann's group. Ayers stands clearly in the shadow of Bobby Hutcherson on this primarily modally-oriented date, sounding nothing like the groove-meister he would become known as later in the 1970s.Producer ...

232

Article: Album Review

Buster Williams: Pinnacle

Read "Pinnacle" reviewed by Douglas Payne


One of the great losses to jazz is that Herbie Hancock's 1970-73 Mwandishi band could not have been as profitable as it was protean, progressive and ever too-briefly productive. Launched from the spaces that fostered Bitches Brew, Hancock introduced elements of both the avant-garde and soul jazz to create a groove that was as unusual and ...


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