Home » Jazz Articles » Album Review » George Matoian: Straight Ahead
George Matoian: Straight Ahead
Matoian’s last recording, 12 Bars All Night, exhibited a combination of jazz, blues and comfortable pop. Straight Ahead, on the other hand, stays with an exciting hard bop approach that finds the saxophonist improvising over set chord changes and lighting creative fires. It’s timeless music. While "Yardbird Suite" demonstrates technical proficiency, it also provides a spark that ignites Matoian’s vibrant improvisation. "On Green Dolphin Street" and "Footprints" evoke familiar harmonic messages around which the saxophonist plies his trade. From Henry Mancini, "The Days of Wine and Roses" offers a lengthy look at the saxophonist’s lyrical side; here also we see inspired improvisation. Similarly, Joe Henderson’s "Recordame" features Matoian’s full, clear tone and experienced passion. Not a long session, the album measures only 38:23; however, what has been laid down is certain to please straight-ahead listeners. Recommended.
Track Listing
On Green Dolphin Street; Yardbird Suite; The Days of Wine and Roses; Recordame; Footprints.
Personnel
George Matoian- tenor saxophone; Lance Saegusa- guitar; Daniel Brodo- acoustic bass; Mike Indovina- drums.
Album information
Title: Straight Ahead | Year Released: 1999 | Record Label: GemTone Records
Tags
PREVIOUS / NEXT
Support All About Jazz
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.







