Results for "Straight Ahead"
Out of Detroit's lively jazz scene, which has produced some of the best musicians in the world, comes the ground breaking all female jazz group, Straight Ahead. A group of strong, inventive instrumentalists and vocalists, they have shown themselves to be powerful and imaginative composers and arrangers.
Widely recognized for their eclectic and soulful approach to creating music, the Straight Ahead sound ranges comfortably from mainstream jazz R&B ballads, avant-garde to Brazilian funk. Their live performances are a dynamic celebration of power and joy. The ladies delight in changing textures, moods, and tempos and love to throw in the occasional musical joke!
Erik Hempel is a force of nature, both in his music and character. Hempel’s dynamic and powerful performances have amazed hundreds of audiences from the main stage of the Clearwater Jazz Holiday Music Festival to the legendary stage of the Apollo Theatre in Harlem. Influenced by a wide variety of musical styles (the blues, rock, jazz, soul, funk, hip-hop, you name it), Hempel is an incredibly versatile artist who is pioneering his own bold style of music in order to not only better reflect the times, but to tell his unique story. As a rapidly emerging artist, Hempel has already opened for major musical acts such as Chicago, Marcus Miller, Karl Denson’s Tiny Universe, Blood Sweat and Tears, and more! Born and raised in St
Mark Neuenschwander has taught Jazz Bass at The University of South Florida since 1986, and is widely recognized as one of the finest and busiest bass players in Florida. Originally a French horn player, he adopted the bass for its versatility in performing all styles of music. He studied music at Memphis State University and is also on the faculty at Southeastern University and St. Petersburg College. Mark serves as an Executive Board member for AFM Local 427/721, and is the music contractor for the Tampa Bay Performing Arts Center, Dr. Phillips Center, Raymond F. Kravis Center and for numerous other venues and artists
Harold Land, Jr. has toured Asia, Africa, Europe, and North America with Jazz and Funk greats such as Marvin Gaye, Gerald Wilson, Freddie Hubbard, Kenny Burrell, Pharoah Saunders, Lee Morgan, Roy Ayers, Roland Kirk, Sweet Baby J'ai, Dwight Trible, and many others. The Crusaders' pianist Joe Sample introduced Harold to Wayne Henderson. The meeting led to Harold's first professional gig, and to his first two album appearances, including the cult favorite "People Get Ready". He credits bandleader Gerald Wilson with giving him his first traditional Jazz gig, which came shortly after his time with Henderson
Copenhagen-based Polish/Ukrainian jazz saxophonist Oleksandr Kolosii was born in Donetsk, Ukraine into a family of professional musicians. He began playing classical piano at the age of 6, and at age 12 he picked up the saxophone and found his lifelong passion for jazz music. His style of playing pays tribute to legendary bebop and hard bop players like Charlie Parker, Dexter Gordon, Sonny Stitt, and John Coltrane. Currently he combines this with a continuous inspiration from a wide array of active jazz musicians on the scene today. Oleksandr moved to Denmark in 2017 to further his career and join the Scandinavian jazz scene
Equally at home as a jazz and classical saxophonist, Conn-Selmer Endorsing Artist Matt Olson is Professor of Saxophone and Director of Jazz Studies at Furman University in Greenville, South Carolina. He hails from Racine, Wisconsin, and holds a Doctor of Musical Arts degree from the University of Illinois, and a Master of Music degree in Jazz Pedagogy and Bachelor of Music degree in Saxophone Performance from Northwestern University. Matt's teachers have included Frederick Hemke, Debra Richtmeyer, Mike Kocour, Don Owens, Paul Bro, Ron Bridgewater, Tom Wirtel, Thomas Matta, and Jonathan Helton. Matt's professional work includes performances with Randy Brecker, Chris Potter, Kurt Elling, Benny Carter, Wayne Bergeron, John Fedchock, Jeff Coffin, Jason Marsalis, Byron Stripling, Ken Peplowski, Kevin Mahogany, Doc Severinsen, Ryan Keberle, Andy Martin, Wycliffe Gordon, Chris Vadala, Manhattan Transfer, Aretha Franklin, Natalie Cole, Bernadette Peters, Lou Rawls, Michael Feinstein, Johnny Mathis, Ben Folds, Bob Newhart, Wayne Newton, the Temptations, the Four Tops, children's entertainer Shari Lewis, the Chicago Jazz Ensemble, the Milwaukee Symphony Orchestra, and the Charlotte Symphony Orchestra
Jesús Fuentes was born in Cd. Juarez, Mexico. He is an active pianist, arranger and educator. Jesús is currently a DMA candidate at the University of Illinois at Urbana-Champaign. holds a MM in Jazz Piano Performance from Texas Tech University and a BM in Commercial Music from the University of Texas at El Paso.
While Jesús is mainly a Jazz pianist, he has studied and regularly performs a variety of genres including Classical, Latin, and most commercial music styles. As a Jazz pianist he has played with world renowned artists such as Tom Harrell, Allen Vizzutti, Jaleel Shaw, Jiggs Wigham, and The Glenn Miller Orchestra
I play soprano, alto, tenor and baritone saxophones, piccolo, flute, alto flute, clarinet and bass clarinet. I studied saxophone and clarinet primarily with Harold Karabell and flute with Adeline Tomasone. In 1983 I received a Bachelor of Music from Philadelphia College of the Performing Arts. I also studied improvisation - primarily with Brian Trainor, a few months with Dennis Sandole and a couple of lessons with Phil Woods. Professionally I’ve played in a wide variety of situations including small jazz groups, big bands, commercial bands in clubs and at society parties, pit orchestras and recording sessions
UNSTABLUES GROUNDS and TRINKLE TINKLE, Mathieu’s debut singles as a leader of his jazz trio, are hitting la Toile on September 1st 6 PM ET (Youtube, Spotify, Apple music, etc.). Jeu d’ombres, Mathieu Soucy’s first incursion into the magical space out of which half- improvised music and poetry emerge and to which they both return, will be launched on September 24th under FLORAFONE RECORDS. The short suite features Montreal-based mythic vocal storyteller Sarah Rossy and bears the poetical imprint of Paul Éluard and Charles Baudelaire to whom Mathieu lends his soundboard, so as to let their conjoined light shine forth in an undistorted yet very personal manner