Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

280

Stan Getz: Stan Getz Quintette: Jazz At Storyville

Chris May By

Sign in to view read count
Stan Getz Quintette

Jazz At Storyville

Royal Roost

1951

For his casual listeners, tenor saxophonist Stan Getz peaked during the bossa nova craze of the early to mid 1960s. And as Verve's five-disc, 2008 box set, The Bossa Nova Albums, reminded casual and committed listeners alike, Getz and bossa nova were, indeed, made for each other.

But anyone willing to rewind through the 1950s will find a cornucopia of less well known, though equally transporting music, as Getz emerged from the big bands to become a small group leader of style and substance. In the first years of the decade, Getz, with his quintets, developed a contrapuntal improvising approach with his frontline partners—first, guitarist Jimmy Raney, and then, valve trombonist Bob Brookmeyer—as captivating as the work of baritone saxophonist Gerry Mulligan and trumpeter Chet Baker in Mulligan's contemporaneous piano-less quartet. Factor in Getz's already singular lyricism, and you have something very special.

The newly released three-disc collection Quintets: The Clef & Norgran Studio Albums (Hip-O Select, 2011), covering a 26-month period beginning in December 1952, has made available once more the three albums which are the apotheosis of Getz's early small group work in the studio: Interpretations, Interpretations #2 and Interpretations #3. The albums—which chart producer Norman Granz's move from 78rpm singles to 10-inch LPs, so permitting Getz and his partners to stretch out on lengthier tracks—shine a particularly fruitful light on Getz's work with Brookmeyer. The Getz/Raney tracks, on the other hand, recorded in December 1952, were made as singles, with necessarily brief solos, most of them taken by Getz. To experience the full potential of the Getz/Raney group it's necessary to rewind further, to an October 28, 1951 live recording made at George Wein's Storyville Club in Boston, during an engagement the group shared with singer Billie Holiday.

Jazz At Storyville has since its original release been only erratically available, under different titles and in a variety of legitimate and bootleg editions. It was first released on Teddy Reig's Royal Roost label as two LPs, Jazz At Storyville Volume 1 and Volume 2. In 1997, it made up part of the three-disc set Stan Getz: The Complete Roost Recordings (Roulette). In 2002, it resurfaced on Japanese EMI. Individual tracks have occasionally turned up on compilations, such as Verve's The Definitive Stan Getz (2002).

Jazz At Storyville gives new meaning to the expression "fast and loose." Most of the tracks are taken at tempos ranging from medium fast to atomic, with "Parker 51" (written by Raney for his friend Ray Parker) taken at a phenomenal 344 beats per minute. Getz and Raney dance over the tempos with perfect poise, locked in the moment and staying lyrical despite the velocity. Their theme statements and contrapuntal interactions have a precision which is almost literally breathtaking. It's a bravura performance by both men, and the track playing times—most are over five minutes and the longest run to 7:07 and 7:24—mean extended solos are the norm. There are choruses too from pianist Al Haig (who'd been on hand for some of Getz's first small group recordings with Raney, in New York in 1948 and 1949) and drummer Tiny Kahn, but in the main this is Getz's and Raney's show.

Among its qualities, the album demolishes the myth that Getz couldn't play with heat and passion. Witness this backhanded compliment from an Amazon customer: "These white boys could BURN! To hear this with today's recording equipment would really be somethin,' but none the less you'll DIG IT. These guys were tight and inspire each other on every cut. STAN was the MAN! A TRUE JAZZ GEM!!" Quite so. In this respect, Jazz At Storyville is like a mirror image of Getz's altogether more laidback recordings with another guitarist, Johnny Smith, in 1952, on Smith's masterpiece, Moonlight In Vermont (Roulette).

If ever a Getz album cried out for high-end digital reissue, it's Jazz At Storyville. Meanwhile, 2011's version of the secondhand racks, the web, is on hand.

Tracks: Thou Swell; The Song Is You: Mosquito Knees; Pennies From Heaven; Move; Parker 51; Hershey Bar; Rubberneck; Signal; Everything Happens To Me; Jumpin' With Symphony Sid; Yesterdays; Budo.

Personnel: Stan Getz: tenor saxophone; Jimmy Raney: guitar; Al Haig: piano; Teddy Kotick: bass; Tiny Kahn: drums.

Title: Stan Getz Quintette: Jazz At Storyville | Year Released: 2011 | Record Label: Unknown label

Tags

Related Video

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Getting Into Jazz
Building a Jazz Library
Bailey's Bundles
Building a Jazz Library
Jazz in the Aquarian Age
Extended Analysis
CD/LP/Track Review
Extended Analysis
CD/LP/Track Review
Wide Open Jazz and Beyond
CD/LP/Track Review
Multiple Reviews
CD/LP/Track Review
Read more articles
 

Jazz Samba / Jazz...

Point Entertainment
2012

buy
 

Plays

Point Entertainment
2012

buy
Quintets: The Clef & Norgran Studio Albums

Quintets: The Clef &...

Verve Music Group
2011

buy
 

Anthology

Point Entertainment
2011

buy

Related Articles

Read Greatest Other People's Hits Extended Analysis
Greatest Other People's Hits
by Doug Collette
Published: September 9, 2018
Read Heavy Music - The Complete Cameo Recordings 1966-1967 Extended Analysis
Heavy Music - The Complete Cameo Recordings 1966-1967
by Doug Collette
Published: September 8, 2018
Read Naima/Live in Berlin Extended Analysis
Naima/Live in Berlin
by Duncan Heining
Published: August 30, 2018
Read Kaya 40 Extended Analysis
Kaya 40
by Nenad Georgievski
Published: August 25, 2018
Read Anthem Of The Sun 50th Anniversary Deluxe Edition Extended Analysis
Anthem Of The Sun 50th Anniversary Deluxe Edition
by Doug Collette
Published: August 4, 2018
Read Wodgi Extended Analysis
Wodgi
by Duncan Heining
Published: August 4, 2018
Read "In Memory of Lou Gare" Extended Analysis In Memory of Lou Gare
by Duncan Heining
Published: August 3, 2018
Read "Heavy Music - The Complete Cameo Recordings 1966-1967" Extended Analysis Heavy Music - The Complete Cameo Recordings 1966-1967
by Doug Collette
Published: September 8, 2018
Read "The Vintage Years 1970 - 1991" Extended Analysis The Vintage Years 1970 - 1991
by John Kelman
Published: June 23, 2018
Read "Greatest Other People's Hits" Extended Analysis Greatest Other People's Hits
by Doug Collette
Published: September 9, 2018
Read "Anthem Of The Sun 50th Anniversary Deluxe Edition" Extended Analysis Anthem Of The Sun 50th Anniversary Deluxe Edition
by Doug Collette
Published: August 4, 2018
Read "GRANITE" Extended Analysis GRANITE
by Duncan Heining
Published: August 2, 2018