Home » Jazz Articles » Album Review » Sophie Milman: Sophie Milman
Sophie Milman: Sophie Milman
Milman's voice has a clear and open tonal quality that she applies liberally with enthusiasm. She interprets lyrics effectively and brings a high level of musicianship to the forum. In a few spots on the program, however, her quick vibrato proves distracting. Consequently, she's at her best with songs where she can turn it loose. "My Baby Just Cares for Me and "Dark Eyes, for example find Milman driving her message home forcefully with great success. You can't miss a beat. The lighter pop song "Back Home to Me, on the other hand, doesn't work out quite as well. Her program varies from Broadway to traditional and modern, offering different views of her easy-to-like vocal style.
The program includes stellar support from band and soloists who help to make Milman's session a delightful experience. Those who provide particularly welcome soloing include alto saxophonist Pat LaBarbera, pianist Bill King, guitarist Rob Pilch, violinist Lenny Soloman, harmonica player Guido Basso, and the horn section on "My Heart Belongs to Daddy, which features Phil Dwyer, Steve McDade and William Carn.
Track Listing
Agua de Beber; I Can
Personnel
Sophie Milman
vocalsSophie Milman: vocals; Bill King, John Sheard: piano; Artie Roth, Marc Rogers: acoustic bass; Davide DiRenzo: drums; Reg Schwager, Rob Pilch: guitar; Pat LaBarbera: alto saxophone; Lenny Soloman: violin; Alexis Baro: trumpet; Alan Hetherington: percussion; Guido Basso: harmonica; Phil Dwyer: tenor saxophone, baritone saxophone; Steve McDade: trumpet; William Carn: trombone.
Album information
Title: Sophie Milman | Year Released: 2006 | Record Label: Linus Entertainment
About Sophie Milman
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







