Home » Jazz Articles » Album Review » The Soul Deacons: Skippin
The Soul Deacons: Skippin
In a program that combines soul music with swing and big band authority, The Soul Deacons bring us popular songs that focus on storytelling with a backbeat, tight horns, and plenty of genuine emotion. Brother E. Clayton tells it like it is, while his big swing band and backup singers surround him with comfortable thrills.
An instrumental number, Pee Wee Ellis' "The Chicken (made famous by the late Jaco Pastorius) gives the album its biggest jazz kick as guitarist Steve Hill and tenor saxophonist Nick Thompson turn up the heat. The piece is anchored by a thrilling electric bass vamp that gathers momentum with organ and congas alongside. The Soul Deacons feel as at home with jazz and blues as they do with R&B.
Lead singer Clayton grew up in New Jersey, New York, Philadelphia and Baltimore. He inherited jazz and blues from a blue-collar perspective that grew out of a love for the songs of Sam Cooke, Curtis Mayfield, and more. Most of the session places its focus on popular R&B. "Don't Knock My Love reveals a firm funk resolution, while "Deeper in Love With You parades a sample of contemporary blues around the room.
The band has been recorded with a clear balance that makes its songs come alive. At under forty minutes, however, the session leaves you wanting for more. "You're Just the One (I've Been Looking For) makes a suitable title for this album; just as relevant as Skippin' Church. Not limited to Sundays, this is one welcome session that entertains every day of the week.
Track Listing
Hold Back the Night; Don
Personnel
The Soul Deacons
band / ensemble / orchestraBrother E. Clayton: lead vocals, background vocals, piano; Jimmy Martinez: bass, background vocals; Steve Hill: guitars, background vocals; Steve O
Album information
Title: Skippin | Year Released: 2007 | Record Label: Self Produced
About The Soul Deacons
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







