2

Aaron Bennett / Darren Johnston / Lisa Mezzacappa / Frank Rosaly: Shipwreck 4

John Sharpe By

Sign in to view read count
Aaron Bennett / Darren Johnston / Lisa Mezzacappa / Frank Rosaly: Shipwreck 4 Named after the Oakland studio where the disc was recorded, the Shipwreck 4 brings together three West Coast improvisers with Chicago drummer Frank Rosaly for a program of six collectively created selections. As apparent on Everybody's Somebody's Nobody (Clean Feed, 2016), his duet with guitarist Fred Frith, trumpeter Darren Johnston's work maintains a melodic core, albeit one masked by occasional extended techniques. Aaron Bennett matches the trumpeter with adventurous but controlled tenor saxophone, delivered in a light airy tone. Bassist Lisa Mezzacappa's contribution eschew steady tempo for a wiry resonant commentary, while Rosaly exploits a typically broad palette of percussive color to impart momentum.

Whether through adherence to a group conception or as the result of discussion, each track retains a coherent mood. Mellifluous interplay based around tonal centers and synchronous phrasing between the horns, neither of which dominates the exchanges, forms one of the session's defining characteristics. That's exemplified by the sequence in "Counted Like Flies" where Johnston proposes a series of fanfares, promptly seconded by Bennett. A common register for saxophone and trumpet enhances the feeling. Strong connections also manifests elsewhere, notably between Johnston and Mezzacappa on the pointillist "When Not Night."

Cuts evolve naturally, seen nowhere better than in the lengthy "Boom." Initially Bennett's halting tenor intro braids with Johnston's trumpet over a gently simmering rhythmic combination, before leading to an energetic episode where bickering reed and brass continually diverge only to converge again. After a brief but rattling drum tattoo, Johnston joins in thoughtful fashion. That presages a lovely passage of ingenious call and response in which the trumpeter alternates open and muted phrases. "The Face Consented, At Last" comprises an extemporized dirge, in which Johnston harmonizes with Bennett's pensively simple folkish lines, before a concluding duet between Rosaly, and Mezzacappa bow in hand, which foreshadows a gradual descent to silence.

Track Listing: The Storm We See, The Sea We Saw; Counted Like Flies; When Not Night; Everything's Coming Up Rosaly; Boom; The Face Consented, At Last.

Personnel: Lisa Mezzacappa: bass; Darren Johnston: trumpet; Aaron Bennett: tenor saxophone: Frank Rosaly: drums.

Year Released: 2016 | Record Label: NoBusiness Records


Shop

More Articles

Read Adam's Apple CD/LP/Track Review Adam's Apple
by Greg Simmons
Published: April 26, 2017
Read Dreamsville CD/LP/Track Review Dreamsville
by Jack Bowers
Published: April 26, 2017
Read April CD/LP/Track Review April
by Jerome Wilson
Published: April 26, 2017
Read Small World CD/LP/Track Review Small World
by Edward Blanco
Published: April 26, 2017
Read High Time CD/LP/Track Review High Time
by C. Michael Bailey
Published: April 26, 2017
Read Rags And Roots CD/LP/Track Review Rags And Roots
by James Nadal
Published: April 25, 2017
Read "From the Heart" CD/LP/Track Review From the Heart
by Victor L. Schermer
Published: December 20, 2016
Read "Dobbeltgaeenger" CD/LP/Track Review Dobbeltgaeenger
by Hrayr Attarian
Published: June 12, 2016
Read "Prairie Burn" CD/LP/Track Review Prairie Burn
by Dan Bilawsky
Published: November 9, 2016
Read "Yellow Red Blue" CD/LP/Track Review Yellow Red Blue
by Dan McClenaghan
Published: November 2, 2016
Read "Concentric Circles" CD/LP/Track Review Concentric Circles
by Jerome Wilson
Published: July 30, 2016
Read "Jazz Jukebox" CD/LP/Track Review Jazz Jukebox
by C. Andrew Hovan
Published: November 24, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM RECORDS | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!