All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Allen's assertive tone and the openness of his orchestration maintain a distinct, focused directionality on each track. "Son House," "Marco Polo" and "Variation" call to mind the entire tradition of sax/bass/drums trios, from Sonny Rollins to Steve Lacy to David Murray. The Ornette Coleman-inspired "East Boogie" expands and flows freely, without compromising the integrity of the time-feel and clear tonal center set up by the head. August's wonderful tone is most evident on "Set'lah" and "Teo (Ted's Theme)" and Royston's contributions flow with intensity and sensitivity throughout.
No tune on the record strays far past the five-minute mark, the goal being to spread a wide range of moods and colors from one track to the next, rather than packing an array of contrasting ideas into a single extended work. Allen cites the long-lost "juke box mentality" as the precedent for his emphasis on brevity, which not only attests to his reverence for the artists who've influenced him, but also mirrors newer mp3-influenced trends in music. In an era focused on eclecticism and verbose musical demonstrations, Allen's music celebrates the strict path of continuously refining and enriching a vision that is firmly rooted in the tradition of adventurous jazz.
Track Listing: Esre; Sonhouse; Conjuration of Angles; Marco Polo; Shine; The Laughing Bell; East Boogie (Kolby's Theme); Ephraim; Angel; Teo (Ted's Theme); Se'lah; Variation.
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song. He captured everyone's attention and got us all up on our feet dancing alongside him to this incredible music we call jazz.