Results for "David Murray"

David Murray

Few musicians in jazz history have proven more vigorously productive and resourceful than David Murray. During the past 35 years, from the moment he first visited New York as a 20 year-old student, playing in a walkup loft, in 1975, David has careened forward in a cool, collected, rocket-fueled streak. He has released over 150 albums under his own name. Yet more impressive than the numbers is the constancy of two abiding achievements: as a tenor saxophonist, he has perfected an instantly recognizable approach to improvisation that even in its freest flights acknowledges the gravity of a tradition he honors more than most; and he has altered the context for his improvisations as an infinite mosaic of musical challenges and explorations

Hear My Train A Comin': The Songs Of Jimi Hendrix

By IAN PATTERSON

Hear My Train A Comin':The Songs Of Jimi Hendrix Kevin Le Gendre 240 Pages ISBN: 97818000500143 Equinox 2020 Few artists have burned as briefly and brightly as Jimi Hendrix, the Afro-American guitarist and singer who set the late 1960s alight with his virtuosity and showmanship. Fifty years after he ...

Today’s Latin Big Bands: Dafnis Prieto, Arturo O’Farrill, Miguel Zenon, David Murray, Antonio Adolpho and Bobby Sanabria

By RUSSELL PERRY

Cuban influences have been heard in jazz since the 1940s. The 1960s brought significant Brazilian sounds into the music. Today, musicians from throughout Latin America are shaping the music, never more vibrantly than in large Latin ensembles. Latin Big Bands lead by Dafnis Prieto, Arturo O'Farrill, Miguel Zenon, David Murray, Arturo O'Farrill and Bobby Sanabria in ...

Albert Ayler: Albert Ayler 1965: Spirits Rejoice & Bells Revisited

By MARK CORROTO

Being that 2020 is more than half a century since Albert Ayler (1936-70) recorded this music, the best way to approach might be through what the Zen Buddhists call Shoshin. Roughly translated as “beginner's mind," or the ability to experience things as if for the first time. Since we cannot transport ourselves back to 1965, taking ...

Conference Call: Prism

By JEROME WILSON

Most jazz groups that stay together for a long time, such as The Modern Jazz Quartet or The Art Ensemble of Chicago, achieve a certain prominence. It is a surprise then to realize that the lesser-known band, Conference Call, has been around since 1999 and is here releasing its eighth album. The group's core ...

Vincent Chancey Trio: The Spell

By JOHN SHARPE

It's not everyone who gets to be name-checked in the title of an album by Sun Ra, but Chicago-native Vincent Chancey inhabits a select club thanks to Taking A Chance On Chances (Saturn, 1977), (mis-)named after an improvised duet between his French horn and Ra's piano. As well as the Arkestra, Chancey's French horn has also ...

John Coltrane: Giant Steps: Remastered & Super Deluxe Editions

By CHRIS MAY

A date for your diary... 18 September 2020. That is when Atlantic / Rhino releases two cracking new editions of John Coltrane's first landmark album, Giant Steps (Atlantic, 1960). The main event is enhanced audio quality, which has noticeably more presence than any previous reissue. The double CD and vinyl Remastered Edition and ...

Harry Beckett: Joy Unlimited

By CHRIS MAY

The Barbados-born trumpeter Harry Beckett moved to Britain when he was 19. His first known recording session came in 1961 alongside Charles Mingus. This happened during the London sessions for the Tubby Hayes album All Night Long (Fontana, 1962), which was chronicled in the 2020 All About Jazz article Jazz & Film: An Alternative Top 20 ...

Tom Lawton: Not Less Than Everything

By VICTOR L. SCHERMER

Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. Quick now, here, now, always-- A condition of complete simplicity (Costing not less than everything) --T.S. Eliot, Four Quartets; “Little Gidding" This poetic quotation ...

David Murray & the World Saxophone Quartet (1979 - 1996)

By RUSSELL PERRY

Perhaps no jazz musician recorded a more varied output in more diverse settings in the 1980s than tenor saxophonist and bass clarinetist David Murray. Three of the best bands to emerge in the decade were his Octet, his Quartet and the collaborative World Saxophone Quartet. He may have been the most recorded jazz artist of the ...