Boston–based Jane Miller, brand new to these ears, is a member of the faculty at the Berklee School of Music who plays a warm, vibrant guitar in the manner of a Jimmy Raney, Billy Bauer or Jim Hall (one of whose compositions, the digitally challenging “Waltz New,” is included on her second recording, Secret Pockets ). As (I’m ashamed to say) most mainstream guitarists sound pretty much the same to me, the choice of music is of great interest, and Miller’s choices are consistently rewarding. They encompass two of her own compositions, the insouciant “Amigo” and softly rockin’ “Secret Pockets,” Jazz originals by Vince Guaraldi (“Pebble Beach”), Wayne Shorter (“Footprints”), Herbie Hancock (“Dolphin Dance”) and Miles Davis/Bill Evans (“Blue in Green”) alongside the standards “Summertime” (whose natural warmth is enlivened by African rhythms), “Body and Soul,” “Stella by Starlight” and a delightful up-tempo reading of Henry Mancini’s “Days of Wine and Roses.” To add color and variety, trombonist Jay Ashby joins the trio on “Amigo” and adds percussion on “Body and Soul,” while pianist Bill O’Connell sits in on “Amigo,” “Days of Wine and Roses” and “Secret Pockets.” The finale, “Blue in Green,” is a soft–flowing duo by Miller and bassist Simonelli (who is resolute throughout, as is drummer Kirby). This is an admirable trio date, and further convincing evidence that there’s a wealth of unrecognized talent abiding in almost every nook and cranny in this wonderful country we call home.
Track listing: Summertime; Pebble Beach; Amigo; Waltz New; Body and Soul; The Days of Wine and Roses; Footprints; Secret Pockets; Dolphin Dance; Stella by Starlight; Blue in Green (56:47).
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.