Grant Geissman: Say That!

Geissman's television theme from Two and a Half Men gets the full five-minute treatment, with soprano saxophonist Brian Scanlon trading with the guitarist in a hearty romp. Similarly, "Wrong is Right" features a driving rhythmic foundation behind the guitarist's fiery attack. Here, Scanlon's tenor shares the spotlight in a searing portrayal of West Coast fluidity. Each phrase melts into the next as Geissman chases his muse seamlessly. "New York Stories," on the other hand, blends that memorable organ combo sound with delicious melodic threads from the leader's guitar. He takes it away with a comfortable groove that sits well with any audience. From coast to coast, he represents the core of straight-ahead jazz with a swinging, moving feel.

"Grandfather's Banjo" changes pace with a tribute to Geissman's grandfather. His classic jazz approach holds an appeal for generations young and old. Tierney Sutton sits in for "Bossa," which serves as a history lesson from the era that spawned collaborations between Stan Getz, Astrud Gilberto, and Tom Jobim. Her wordless vocals in unison with guitar and tenor provide a soothing rainshower of song.

"Below the Radar" and the closing number, "Wes is More," again bring hard bop reflections of legendary pioneers. Geissman forms his tribute pieces with respect for the art that they provided, while turning loose improvised creations of his own. He swings with a natural feel for what the guitar can do when unencumbered by outside demands. Alone with like-minded sidemen, he creates a recommended album that holds onto tradition while interpreting with fresh new ideas.

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