454

Atomic: Retrograde

John Kelman By

Sign in to view read count
Plenty has been written about the intersection—past and present—between members of the Swedish/Norwegian collective Atomic, and Chicago's Ken Vandermark's countless projects. Most telling, perhaps, is this simple fact: were Atomic American-based, there's little doubt it would garner similar accolades from a considerably larger audience unafraid of the kind of fearless experimentation that's been the quintet's signature since convening around the turn of the millennium. Retrograde is the group's fifth release and second three-CD set, following its all-live The Bikini Tapes (Jazzland, 2005). With two discs of new studio material and a very recent (June 2008) live set from Seattle, Atomic continues to mine its unique meeting place of American-centric free jazz, Scandinavian melodies and a personal approach to composition-cued spontaneity.



Despite the majority of writing penned by reedman Fredrik Ljungkvist and pianist Håvard Wiik—whose trio disc, The Arcades Project (Jazzland, 2007), is another fine example of Scandinavian artists reinventing an aging format—Atomic remains a democratic affair, with additional compositional input from trumpeter Magnus Broo and bassist Ingebrigt Haker Flaten. Drummer Paal Nilssen-Love may not contribute any material, but his ability to tread the line between diverse texture and unabashed, unfettered swing—sounding as Tony Williams might have, had he brought his growing interest in rock energy to the free bop of Miles Davis' mid-'60s quintet—remains a key component of the Atomic sound. The added energy that comes from playing before an audience turns the live version of Broo's relentless "Painbody" into an eight minute encapsulation of what Atomic is, but the briefer studio version is no less potent, no less...atomic. This is no introverted music informed by stark Scandinavian landscapes; this is urban music, filled with energy and a paradoxically controlled abandon that teems with excitement and acute interaction.



Everyone in Atomic is a leader, making the distinct collective identify of Atomic all the more remarkable. Ljungqvist's "Db Gestalt" is a jagged confluence of contrapuntal melodies, leading into a free section where his visceral baritone sets up a characteristically architectural solo from Wiik, with Broo's probing, initially lyrical but ultimately more far-reaching solo, periodically bolstered by the tune's time-staggered theme. Wiik's title track is Atomic's version of beauty: spare, with its own angular lyricism, leading into another intensifying free-for-all, where Ljungkvist's sinuous clarinet contrasts with Broo's raspy horn. Contemporary classicism meets spontaneous invention on Wiik's "Invisible Cities," where cued melodies are broken up by spare, coloristic interjections, with Nilssen-Love at his most abstract.



Less compositionally cerebral than The Vandermark 5, Atomic still shares much in common with Vandermark's highly acclaimed flagship group. Double-disc sets are risky, triple-disc sets almost unheard of outside of compilations and archival reissues, but Retrograde proves that Atomic has what it takes to sustain itself across three CDs and over two-and-a-half hours of music. The group continues to evolve a stunning contrast in sound that juxtaposes power with nuance, aggression with oblique calm, and unapologetic freedom with rock-hard, visceral groove.


Track Listing: CD1: Db Gestalt; Retrograde; Invisible Cities; Painbody; Correspondence; Sweet Ebony; King Kolax. CD2: Invisible Cities II; Papa; Don Don; Folkton; Hola Calamares; Swedish Oklahoma (In The Desert Of Love); Koloniestrase. CD3 (Live In Seattle): Crux; Db Gestalt; Painbody; Swedish Oklahoma (In The Desert Of Love); King Kolax; ABC 101b.

Personnel: Fredrik Ljungkvist: reeds; Magnus Broo: trumpet; Havard Wiik: piano; Ingebrigt Haker Flaten: bass; Paal Nilssen-Love: drums, percussion.

Title: Retrograde | Year Released: 2008 | Record Label: Jazzland Recordings


Tags

comments powered by Disqus

More Articles

Read Just Friends: Live at the Village Vanguard CD/LP/Track Review Just Friends: Live at the Village Vanguard
by C. Michael Bailey
Published: September 19, 2017
Read Introducing the Simon Eskildsen Trio CD/LP/Track Review Introducing the Simon Eskildsen Trio
by Jakob Baekgaard
Published: September 19, 2017
Read Moment Frozen CD/LP/Track Review Moment Frozen
by Roger Farbey
Published: September 19, 2017
Read Minor Step CD/LP/Track Review Minor Step
by Mike Jurkovic
Published: September 19, 2017
Read A Meeting Of Spirits CD/LP/Track Review A Meeting Of Spirits
by Roger Farbey
Published: September 18, 2017
Read First Light CD/LP/Track Review First Light
by Mark Sullivan
Published: September 18, 2017
Read "Invisible Hand" CD/LP/Track Review Invisible Hand
by Budd Kopman
Published: February 12, 2017
Read "House Of Waters" CD/LP/Track Review House Of Waters
by Roger Farbey
Published: November 14, 2016
Read "Sinatra & Jobim @ 50" CD/LP/Track Review Sinatra & Jobim @ 50
by C. Michael Bailey
Published: August 30, 2017
Read "Lionsong" CD/LP/Track Review Lionsong
by David A. Orthmann
Published: April 18, 2017
Read "The Harry Warren Song Book" CD/LP/Track Review The Harry Warren Song Book
by Roger Farbey
Published: January 31, 2017
Read "Find Your Wings" CD/LP/Track Review Find Your Wings
by Jim Trageser
Published: November 5, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.