648

Tord Gustavsen Ensemble: Restored, Returned

John Kelman By

Sign in to view read count
Tord Gustavsen Ensemble: Restored, Returned With three albums mining a seemingly narrow area—and proving just how broad that territory really—Norwegian pianist Tord Gustavsen changes gears with Restored, Returned. Abandoning the longstanding trio that, with Changing Places (ECM, 2003), The Ground (ECM, 2005), and Being There (ECM, 2007), brought him greater international acclaim, Restored's quintet remains relatively introspective in tone. Still, with singer Kristin Asbjørnsen and saxophonist Tore Brunborg—whose recent Lucid Grey (DRAVLE, 2009) received its own share of well-deserved attention—Gustavsen's palette is expanded, allowing him to more fully realize the song-like proclivity that's been at the core of much of his writing.

Gustavsen—who, as musical director for singer Silje Nergaard, is no stranger to working with vocalists—plays on Asbjørnsen's The Night Shines Like the Day (Universal Norway, 2009), and has also been touring with her, including an engaging performance at Molde Jazz 2009. The two also collaborated on Nymark Collective's imaginative reworking, Bessie Smith Revisited (Independent, 2008), making the singer's rich expressiveness—incorporating the occasional grit but never, despite soaring luminously, resorting to excessive vocal pyrotechnics to impress—not just well-suited to Gustavsen's writing, but possessed of a deeper internal connection.

Drummer Jarle Vespestad is back from Gustavsen's trio, but instead of Harald Johnsen, Gustavsen has recruited Nymark bassist/co-founder Mats Eilertsen, no stranger to those familiar with guitarist Jacob Young's sublime Evening Falls (ECM, 2004) or drummer Thomas Strønen's more overtly adventurous Parish (ECM, 2006). Vespestad still demonstrates an uncanny ability to play at a near-whisper, but has the opportunity to play more forcefully on the title track, which moves from the gently intensifying pedal tone of its intro to a more propulsive reference to Gustavsen's longstanding gospel interests (and Asbjørnsen's; her own Wayfaring Stranger (Universal Norway, 2006) was a vital look at American spirituals). "The Swirl / Wrapped in Yielding Air" explores Middle Eastern harmony but ultimately shifts, with a deep groove propelled by Eilertsen's visceral tone and Vespestad's gentle but insistent pulse, towards bluesy territory, with Asbjørnsen's expressive yet restrained delivery one of the album's high points.

Brunborg—another ECM alum dating back to Masqualero's three albums, with bassist Arild Andersen, drummer Jon Christensen, and trumpeter Nils Petter Molvaer—shines throughout with an approach that stems unmistakably from the traditionalist leanings of Jan Garbarek, but brings greater warmth and a personal lyricism to "The Child Within," a spare, melodic duet with Gustavsen that opens Restored.

Gustavsen continues to be a marvel of economical invention, a player who speaks little but says much. Restored, Returned is a logical extension/expansion on his previous ECM releases, as his nuanced, tender playing eschews stereotypical references to Norwegian music as icy or cool, even as "The Way In" cinematically traverses imaginary bodies of water explored regularly by pianist Ketil Bjornstad. But with more colors at his disposal and a greater attention to song form—even as the result feels somehow freer—Gustavsen has shaped an album even more appealing in its subtle but unmistakable experimentation.


Track Listing: The Child Within; Way In; Lay Your Sleeping Head, My Love; Spiral Song; Restored, Returned; Left Over Lullaby No. 2; The Swirl / Wrapped in Yielding Air; Left Over Lullaby No. 1 / O Stand, Stand At The Window; Your Crooked Heart; The Gaze; Left Over Lullaby No. 3.

Personnel: Tord Gustavsen: piano; Tore Brunborg: tenor saxophone (4-8, 10), soprano saxophones (1) ; Kristin Asbjørnsen: vocals (3-8, 11); Mats Eilertsen: double-bass (2-10); Jarle Vespestad: drums (2-10).

Year Released: 2009 | Record Label: ECM Records | Style: Straight-ahead/Mainstream


Related Video

Shop

More Articles

Read Akua's Dance CD/LP/Track Review Akua's Dance
by Dan Bilawsky
Published: February 21, 2017
Read Daylight Ghosts CD/LP/Track Review Daylight Ghosts
by Mark Sullivan
Published: February 21, 2017
Read Live at PafA CD/LP/Track Review Live at PafA
by Matthew Aquiline
Published: February 21, 2017
Read Ocean of Storms CD/LP/Track Review Ocean of Storms
by Troy Dostert
Published: February 21, 2017
Read Transparent Water CD/LP/Track Review Transparent Water
by Dan Bilawsky
Published: February 20, 2017
Read Billows Of Blue CD/LP/Track Review Billows Of Blue
by Dan McClenaghan
Published: February 20, 2017
Read "Rise" CD/LP/Track Review Rise
by Dan Bilawsky
Published: April 12, 2016
Read "For The Unknown" CD/LP/Track Review For The Unknown
by Karl Ackermann
Published: April 6, 2016
Read "Of Sound Mind" CD/LP/Track Review Of Sound Mind
by Budd Kopman
Published: September 30, 2016
Read "3 Compositions (EEMHM) 2011" CD/LP/Track Review 3 Compositions (EEMHM) 2011
by Karl Ackermann
Published: November 27, 2016
Read "That Feelin'" CD/LP/Track Review That Feelin'
by Jack Bowers
Published: October 7, 2016
Read "Meditations on Freedom" CD/LP/Track Review Meditations on Freedom
by Franz A. Matzner
Published: January 16, 2017

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!