648

Tord Gustavsen Ensemble: Restored, Returned

John Kelman By

Sign in to view read count
With three albums mining a seemingly narrow area—and proving just how broad that territory really—Norwegian pianist Tord Gustavsen changes gears with Restored, Returned. Abandoning the longstanding trio that, with Changing Places (ECM, 2003), The Ground (ECM, 2005), and Being There (ECM, 2007), brought him greater international acclaim, Restored's quintet remains relatively introspective in tone. Still, with singer Kristin Asbjørnsen and saxophonist Tore Brunborg—whose recent Lucid Grey (DRAVLE, 2009) received its own share of well-deserved attention—Gustavsen's palette is expanded, allowing him to more fully realize the song-like proclivity that's been at the core of much of his writing.

Gustavsen—who, as musical director for singer Silje Nergaard, is no stranger to working with vocalists—plays on Asbjørnsen's The Night Shines Like the Day (Universal Norway, 2009), and has also been touring with her, including an engaging performance at Molde Jazz 2009. The two also collaborated on Nymark Collective's imaginative reworking, Bessie Smith Revisited (Independent, 2008), making the singer's rich expressiveness—incorporating the occasional grit but never, despite soaring luminously, resorting to excessive vocal pyrotechnics to impress—not just well-suited to Gustavsen's writing, but possessed of a deeper internal connection.

Drummer Jarle Vespestad is back from Gustavsen's trio, but instead of Harald Johnsen, Gustavsen has recruited Nymark bassist/co-founder Mats Eilertsen, no stranger to those familiar with guitarist Jacob Young's sublime Evening Falls (ECM, 2004) or drummer Thomas Strønen's more overtly adventurous Parish (ECM, 2006). Vespestad still demonstrates an uncanny ability to play at a near-whisper, but has the opportunity to play more forcefully on the title track, which moves from the gently intensifying pedal tone of its intro to a more propulsive reference to Gustavsen's longstanding gospel interests (and Asbjørnsen's; her own Wayfaring Stranger (Universal Norway, 2006) was a vital look at American spirituals). "The Swirl / Wrapped in Yielding Air" explores Middle Eastern harmony but ultimately shifts, with a deep groove propelled by Eilertsen's visceral tone and Vespestad's gentle but insistent pulse, towards bluesy territory, with Asbjørnsen's expressive yet restrained delivery one of the album's high points.

Brunborg—another ECM alum dating back to Masqualero's three albums, with bassist Arild Andersen, drummer Jon Christensen, and trumpeter Nils Petter Molvaer—shines throughout with an approach that stems unmistakably from the traditionalist leanings of Jan Garbarek, but brings greater warmth and a personal lyricism to "The Child Within," a spare, melodic duet with Gustavsen that opens Restored.

Gustavsen continues to be a marvel of economical invention, a player who speaks little but says much. Restored, Returned is a logical extension/expansion on his previous ECM releases, as his nuanced, tender playing eschews stereotypical references to Norwegian music as icy or cool, even as "The Way In" cinematically traverses imaginary bodies of water explored regularly by pianist Ketil Bjornstad. But with more colors at his disposal and a greater attention to song form—even as the result feels somehow freer—Gustavsen has shaped an album even more appealing in its subtle but unmistakable experimentation.

Track Listing: The Child Within; Way In; Lay Your Sleeping Head, My Love; Spiral Song; Restored, Returned; Left Over Lullaby No. 2; The Swirl / Wrapped in Yielding Air; Left Over Lullaby No. 1 / O Stand, Stand At The Window; Your Crooked Heart; The Gaze; Left Over Lullaby No. 3.

Personnel: Tord Gustavsen: piano; Tore Brunborg: tenor saxophone (4-8, 10), soprano saxophones (1) ; Kristin Asbjørnsen: vocals (3-8, 11); Mats Eilertsen: double-bass (2-10); Jarle Vespestad: drums (2-10).

Title: Restored, Returned | Year Released: 2009 | Record Label: ECM Records


Tags

Related Video

comments powered by Disqus

More Articles

Read Elusive CD/LP/Track Review Elusive
by Geno Thackara
Published: September 23, 2017
Read Transitions CD/LP/Track Review Transitions
by Bruce Lindsay
Published: September 23, 2017
Read Door Girl CD/LP/Track Review Door Girl
by Hrayr Attarian
Published: September 23, 2017
Read Incidentals CD/LP/Track Review Incidentals
by Mike Jurkovic
Published: September 23, 2017
Read Heart Knows CD/LP/Track Review Heart Knows
by Dan McClenaghan
Published: September 22, 2017
Read Jersey CD/LP/Track Review Jersey
by Geno Thackara
Published: September 22, 2017
Read "Black Diamond" CD/LP/Track Review Black Diamond
by Joe Gatto
Published: March 7, 2017
Read "The Big Wig" CD/LP/Track Review The Big Wig
by Ian Patterson
Published: May 24, 2017
Read "Common Ground" CD/LP/Track Review Common Ground
by Matthew Aquiline
Published: September 17, 2017
Read "Truth, Liberty & Soul Live in New York: The Complete NPR Jazz Alive! Recording" CD/LP/Track Review Truth, Liberty & Soul Live in New York: The Complete...
by John Kelman
Published: May 20, 2017
Read "Moments Of Fatherhood" CD/LP/Track Review Moments Of Fatherhood
by John Sharpe
Published: April 9, 2017
Read "Grace" CD/LP/Track Review Grace
by Troy Dostert
Published: April 8, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.