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The Black Butterflies is a Latin free-for-all led by reed multi- instrumentalist Mercedes Figueras, an Argentinean transplanted to New York City. Figueras and band follows up a well- received debut, 1 De Mayo (Self Produced, 2010), with Rainbows for Ramon. Reviewed in capable detail by Dan BilawskyandKarl Ackermann, Rainbows for Ramonand, in particular, Figueras' treatment of the Gershwin Brothers' standardis worth some further elaboration.
Musical sincerity is inversely proportional to synthetic production: the more basic, organic, and authentic, the more musically sincere. Figueras' "Summertime" is a perfect melding of Latin and Tin Pan Alley in the humid ocean air of Southern climes. Introduced by bassist Nick Gianni's elastic vamp, dissolving into a simple three- note figure beneath Karl Berger's melodica, the standard is suspended over an orchestra of percussion that makes it perfectly clear where all influences come from. Figueras' saxophone is feral, with heated abandon that is nothing to compare to when she sings. Those languid, down-south lyrics, sung with a confident, Latin-inflected lioness' purr, are so carnal that the barometer bottoms out and you lose consciousness. Not bad for an old piece of music.
Personnel: Mercedes Figueras: soprano saxophone, alto saxophone, tenor saxophone;
Tony Larokko: soprano saxophone, alto saxophone, percussion; Nick
Gianni: bass; Levi Barcourt: piano; Bopa "King" Carre: bongos; Fred
Berryhill: djembe, percussion; Kenny Wollesen: drums; Karl Berger:
Year Released: 2012
| Record Label: Self Produced
| Style: Modern Jazz
I love jazz because I enjoy the freedom.
I was first exposed to jazz when I was 17.
I met Cedar Walton at a concert in San Paulo.
The best show I ever attended was Helio Jambao trio.
The first jazz record I bought was Witchcraft by George Benson.
My advice to new listeners is listen to the old school first.