Arman Sangalang: Quartet

Chicago-based tenor saxophonist Arman Sangalang, still in his mid-20s, makes his recording debut with Quartet, wherein his talented four-member ensemble uses delicate textures and shadings in lieu of heated fire and brimstone to amplify its even-tempered musical purpose.

That was clearly Sangalang's idea, as he wrote all save one of the album's ten by and large tranquil themes (chaperoning the lone standard, Johnny Burke and Jimmy Van Heusen's "Polka Dots and Moonbeams"). Sangalang's unaccompanied intro to that number marks one of the album's high points, as does his soulful rendition of the tune, accompanied by guitarist Dave Miller. There is one notable exception to the quartet's placidity: "Rollins" (as in Sonny), which rings down the curtain while showing that Sangalang and his mates are able to unwind when the need arises and let old-fashioned swing carry the day.

In fact, to derive maximal pleasure from the album, it may be prudent to play its ten numbers in reverse order. A bit drastic, perhaps, but the last two (or three) selections do show the quartet at its best. This after seven or so tunes whose premise is no doubt admirable but whose atmosphere of quietude can be sleep-inducing. Again, there is one outlier that breaks the mold: "Split Levels," whose accelerated tempo inspires a robust solo by Sangalang and earnest backing from the group. Apart from that, it's essentially admirable work by the quartet on songs that are well-drawn but a step or so removed from enchanting, to give them their due.

"Polka Dots and Moonbeams" is redeemed by its gorgeous melody, while "Rollins" breathes life into an earnest but for the most part leisurely enterprise by Sangalang, Miller, bassist Matt Ulery and drummer Devin Drobka who do their best to emphasize the music's charm. That impressive teamwork is enough to raise the session slightly above average in these ears, while others may weigh it even more favorably.

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