Home » Jazz Articles » Album Review » The Lifelike Quartet: Pretending You're Here With Me
The Lifelike Quartet: Pretending You're Here With Me
This six-song EP looks back to a time when popular music had class and whimsy. Goldmacher and Evans bring back the idea of writers having a love affair with the theme of love in their work. "Pretending You're Here With Me" is a pondering on the possibility of love based around a single brief encounter, "Anyone But You" puts the mind and heart at slight odds with each other, and "Now And Again" is all about reviving the spark of romance that has vanished over time. They also address the simple beauty of a couple's time spent together ("Sunday Morning With You").
Goldmacher and Evans are the heart and mind of this project, but the mouthpiece of this music is vocalist Don Dixon, who takes a wonderfully casual and breezy approach with the material. Multi-reedist Jim Hoke is the other standout on this all-too-short project. He delivers succinct solos and mood-setting introductions, serves up clarinet obbligato when needed, brings buoyancy to "Anyone But You" with his flute, and turns up the heat with his saxophone work on "Don't Forget To Look."
This little gem of a recording won't turn the music world on its head, but it makes an argument for the importance of a holistic songwriting process that values lyrics, music and musicianship as equally important entities.
Track Listing
Pretending You're Here With Me; Anyone But You; Sunday Morning With You; Now And Again; Don't Forget To Look; If This Isn't Love.
Personnel
Don Dixon: vocals; Jim Hoke: flute, clarinet, tenor saxophone, baritone saxophone; Larry Dunlap: piano; Dan Feiszli: bass; Alan Hall: drums (1-4, 6); David Rokeach: drums (5).
Album information
Title: Pretending You're Here With Me | Year Released: 2013 | Record Label: Self Produced
About The Lifelike Quartet
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







