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ARTICLE: MIXCLOUD

A Musical Portrait Of William Parker

Read "A Musical Portrait Of William Parker" reviewed by Centro d'Arte Padova

This new installment of our “50/50" series--a collection of mixtapes made in collaboration with the artists hosted at Centro d'Arte--is dedicated to bassist and composer William Parker, a driving force of New York's free jazz scene since the 1970s, and one of the most brilliant musical minds of today's creative music.

The selection features ...

ARTICLE: LIVE REVIEWS

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe

23rd Annual Vision Festival
Roulette
New York, NY
May 23-28, 2018

Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...

ARTICLE: INTERVIEWS

William Parker: Embracing The Unknown

Read "William Parker: Embracing The Unknown" reviewed by Luke Seabright

His is one of the most distinctive and respected voices on double bass today. William Parker, the tireless composer, multi-instrumentalist, educator and poet, is still today omnipresent on the contemporary free jazz scene. What's more, he has been consistently for the last four decades. The William Parker Sessionography: A Work in Progress by Rick Lopez clocks ...

ARTICLE: CD/LP/TRACK REVIEW

Thomas Johansson: Home Alone

Read "Home Alone" reviewed by Mark Corroto

When does this guy breathe? This might be the question going through your mind while you listen to “Signal This," the fifth track on Side A of trumpeter Thomas Johansson's solo recording Home Alone. The brief, three minute performance is, at first glance, more about physicality than music making. On the surface, a solo trumpet performance ...

ARTICLE: CD/LP/TRACK REVIEW

Pearring Sound: True Story

Read "True Story" reviewed by Karl Ackermann

Colorado native Jeff Pearring began studying the alto saxophone at the age of ten but pursued a career in economics before turning back to music. With a broad range of experiences that encompassed symphonic bands, ska and reggae, it was Pearring's affinity for jazz that guided him upon arriving in New York. Pearring studied with Connie ...

ARTICLE: LIVE REVIEWS

October Revolution in Jazz & Contemporary Music 2017

Read "October Revolution in Jazz & Contemporary Music 2017" reviewed by Mark Corroto

October Revolution In Jazz & Contemporary Music
FringeArts
Philadelphia, PA
October 5-8, 2017

The main venue for The October Revolution in Jazz & Contemporary Music was FringeArts, a renovated historic pumping station for Philadelphia's fire department located in the shadow of the Benjamin Franklin Bridge. It seats 240 ...

ARTICLE: JAZZIN' AROUND EUROPE

The Slovenian Experience: Jazz Festival Ljubljana 2017

Read "The Slovenian Experience: Jazz Festival Ljubljana 2017" reviewed by Henning Bolte

Ljubljana--capital of the Republic of Slovenia, member of EU, neighbored by Austria, Hungary, Croatia and Italy--hosts the oldest jazz festival in Europe, which held its 58th edition this year (June, 28--July, 2). The event is organized by Cankarjev House/Cankarjev Dom, a prestigious, state-run cultural center in midtown Ljubljana, residing in one half of an impressive twin ...

ARTICLE: BOOK REVIEWS

The Cultural Politics of Jazz Collectives: This Is Our Music

Read "The Cultural Politics of Jazz Collectives: This Is Our Music" reviewed by Ian Patterson

The Cultural Politics of Jazz Collectives: This Is Our Music
Edited by Nicholas Gebhardt and Tony Whyton
250 Pages
ISBN: 978-1-138-780602-0
Routledge
2016

The recording of jazz history has overwhelmingly focused on individuals. Yet while biographies that lionize great jazz men--women are sorely underrepresented--abound, the socio-political environment in ...

ARTICLE: MY FAVOURITE THINGS

Alexander Hawkins

Read "Alexander Hawkins" reviewed by Paolo Peviani

Il tratto principale della mia musica
È molto difficile rispondere ma spero che, in qualche modo, il tratto principale della mia musica corrisponda al tratto principale di me stesso.

La qualità che desidero nei musicisti che suonano con me
Gioia, apertura, generosità, e che non abbiano paure nel fare musica.

ARTICLE: INTERVIEWS

Matthew Shipp: Let's Do Lunch!

Read "Matthew Shipp: Let's Do Lunch!" reviewed by Yuko Otomo

When Matthew Shipp asked me to design the cover art for his Points album (Silkheart Records, 1992), I showed him works from the on-going drawing study I was engaged in. He picked one graphite drawing and said, “Wow! This is exactly what's happening inside my mind when I play the piano!"

Here, we talk ...