Interview

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

INTERVIEW

Hal Galper: Adventures In The Zone

Read "Hal Galper: Adventures In The Zone" reviewed by Paul Rauch

The career of Hal Galper has earned the pianist acclaim as both a performer and educator. Perhaps most importantly, it has drawn attention to his contributions to the music as a true innovator. While other pianists of his era gained more recognition, Galper sought out a career path where acclaim would be genuine among his peers and his audience, and not measured by the value of his name and the balance of his bank account. Now at the ...

INTERVIEW

Rez Abbasi: On balancing picture with music and shifting into Django mode

Read "Rez Abbasi: On balancing picture with music and shifting into Django mode" reviewed by Friedrich Kunzmann

To really distinguish oneself in today's vast universe of guitarists, even within the confines of jazz, more and more resembles a Sisyphus task. When so much has been said and done, a specific tone or distinctive vocabulary alone no longer suffice to set an artist apart from the crowd. It is only through the sum of the different parts—various technical, aesthetic and even philosophical ones—that a musician is able to claim a place among the original voices on the instrument. ...

INTERVIEW

Michael Cuscuna: In The Vault Playing God

Read "Michael Cuscuna: In The Vault Playing God" reviewed by AAJ Staff

From the 1995-2003 archive: This article first appeared at All About Jazz in December 2000. Michael Cuscuna is one of the most important figures in the jazz reissue field today. He has been responsible for hundreds of releases for many companies, and he was fortunate to meet and befriend Alfred Lion during the final years of his life. He is an authority on Lion's life and work and on the recordings and history of the Blue Note label. ...

INTERVIEW

Tamar Osborn: From Kalakuta To Collocutor: New Directions In Jazz

Read "Tamar Osborn: From Kalakuta To Collocutor: New Directions In Jazz" reviewed by Chris May

She has been likened to Gil Evans, Fela Kuti, Pharoah Sanders, Bismillah Khan and Mulatu Astatke, and the traditions represented by those musicians are all to be heard in the music of baritone saxophonist and composer Tamar Osborn. Osborn's aesthetic, however, is her own, and her band, Collocutor, is among the most distinctive on the British jazz scene. Collocutor is three albums old. It began as a studio project with the album Instead in 2014 and then became ...

INTERVIEW

Josephine Davies: Way Out East: New Directions In Jazz

Read "Josephine Davies: Way Out East:  New Directions In Jazz" reviewed by Chris May

Compared to many other bands which have emerged on jny: London's paradigm-shifting jazz scene since the mid 2010s, saxophonist and composer Josephine Davies' trio Satori has attracted relatively little noise. There has been high praise from specialist critics but little mainstream media coverage and even less social media chatter. This may be because, unlike many of its contemporaries, Satori, though rhythmically rich, is not infused with dancefloor-friendly grooves. Davies instead looks to Eastern culture, particularly to Buddhist texts and meditation ...

INTERVIEW

John McLaughlin: Where The Muse Leads

Read "John McLaughlin: Where The Muse Leads" reviewed by Mike Jacobs

John McLaughlin—Miles Davis protégé. Jazz/rock revolutionary. East-meets-West visionary. Acoustic, electric and electronic guitar maestro. Now elder statesman of jazz—what is there left to say? A lot it seems... As a septuagenarian who was facing debilitating hand issues—and possibly the end of his playing career—he was starting to say his farewells to touring only a few years ago. Now he seems a man brimming with hope over his miraculous rebound and new musical inspirations—even while addressing the ...

INTERVIEW

Emma Swift's Multitudes

Read "Emma Swift's Multitudes" reviewed by Eric Gudas

As its title suggests, Blonde on the Tracks, Australian-born, Nashville-based singer-songwriter Emma Swift's first full-length album, re-interprets songs from the heart of Bob Dylan 1960s and '70s catalog, although its span covers his most recent work. Swift belongs to the generations of listeners who grew up on the songs of Gram Parsons}], Dylan, {{m: Joni Mitchell, Neil Young, Bill Withers, Leonard Cohen, and other masters of 1960s and '70s-era Great North American Songbook, much as Dylan and his contemporaries were ...


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