by Hrayr Attarian
Chicago based multi-instrumentalist and composer Keefe Jackson's intriguingly innovative live album A Round Goal is a modern choral symphony of sorts. Recorded during the Jazzwerkstatt festival in Berne Switzerland on February 20, 2013 Jackson utilizes, in lieu of human voices, woodwinds of various ranges creating brilliantly dramatic music. Western classical influences are apparent, throughout. On There Is No Language Without Deceit" Polish clarinetist Waclaw Zimpel's agile, stimulating sonic dance emerges from a tightly woven backdrop of alternating refrains ...read more
by Clifford Allen
The city of Chicago continues to find itself in a jazz renaissance well into the waxing years of the 21st century--a status that many of America's cities can't easily lay claim to. With the pedigrees of individual improvisers and composers like reedman Ken Vandermark and flutist Nicole Mitchell well established in the 1990s, a slightly younger generation of players has assembled things in their wake, on both the North and South Chicago axis.
The most individual voices to step out ...read more
by Troy Collins
The vibrant Chicago jazz scene has been home to many impressive young artists, most of whom collaborate in a rotating roster of collective ensembles. This communal approach has yielded a deep pool of talented individuals intimately familiar with each other's working methods, providing them with a sort of regional shorthand. Multi-reedist Keefe Jackson is one such up and coming Windy City resident, whose striking quartet debut, Seeing You See is every bit as compelling as his work with his large ...read more
by Nic Jones
This one could almost be a working definition of what Delmark exists for, documenting as it does an aspect of Chicago's seemingly ever-evolving creative improvised music scene and in so doing giving further exposure to a group of musicians surely destined to make an impact far outside the city's environs.
If anything Jackson's writing for this large ensemble is even more telling than that of his work in smaller group contexts, hence from the off the galumphing Dragon Fly" balances ...read more
by Jerry D'Souza
Why does tenor saxophonist Keefe Jackson call this band Project Project? Is it because he gives composition and improvisation separate identities and the merges them skillfully? That's just a thought. His ability to write and orchestrate music that sings and celebrates, and then have members of his band incise it with an unabashed sense of adventure, makes for glorious listening. There is never a dull moment, with inspiration constantly nudging surprise.
Jackson is helped along on this project by a ...read more
by Troy Collins
Arriving in Chicago from Fayetteville, Arkansas in 2000, multi-instrumentalist Keefe Jackson has been steadily making waves in the Windy City's vibrant jazz community. His recent offering, the swinging and adventurous Just Like This, showcases Jackson's historically aware writing as well as the astute abilities of his collaborators.
Ready Everyday (Delmark, 2006) was the adventurous post-bop premiere of Jackson's sextet, Fast Citizens. Just Like This is the debut of his large ensemble, Project Project. Comprising a dozen of Chicago's ...read more
by John Barron
Just Like This, Chicago-based saxophonist/composer Keefe Jackson's second recording as a leader for Delmark Records, is a vivacious, provocative musical statement featuring the 12-member collective, Project Project.
With hints of Charles Mingus and Duke Ellington, Jackson's compositions are ripe with thick chord clusters, swinging rhythms and jarring, yet lyrical melodies. Interspersed amongst orchestral flourishes and stand-out themes are free-flowing improvised sections, performed by Project Project's unique roster of bold, musical daredevils uninhibited by harmonic boundaries.
The animated, unaccompanied conversation between ...read more