Home » Jazz Articles » Album Review » Drew Gress: Spin and Drift

352

Drew Gress: Spin and Drift

By

View read count
Drew Gress: Spin and Drift
Here, bassist Drew Gress mans the helm to what is essentially, alto saxophonist Tim Berne's "Paraphrase" trio - plus pianist/composer Uri Caine. Spin and Drift signifies a symbiotic union of like-minded musicians, as Gress executes his booming, robust bass lines on buoyant pieces such as the opener, "Disappearing Act 1" and "Jet Precipice," where the quartet effortlessly engages themes constructed upon vacillating rhythms and intricately executed undercurrents. However, the musicians' often cheery, upbeat demeanor and gleaming approach to these altogether bustling pieces only enhances the overall production.

Throughout, Berne and Caine emit an abundance of hard-edged yet at times, melodically based solos as they intertwine free-bop style lines with forward thinking notions, although the band occasionally veers off the main course via a series of climactic passages and harmonious choruses. With "The Sledmouth Chronicles," Berne switches over to baritone sax for a work, brimming with rolling and tumbling overtures and extroverted group dialogue, while Gress and drummer Tom Rainey provide more than enough ammo for the soloists' no nonsense style interplay. Without further ado, Gress and co. deliver the goods in prominent fashion! Recommended.

Premonition Records on the web,

Track Listing

Disappearing, Act 1; Torque; It was after rain that the angel came; Jet Precipice; Aquamarine; The Sledmouth Chronicles; Here, at the bottom of the sky?; Pang; New Leaf

Personnel

Drew Gress; acoustic bass, pedal steel guitar: Tim Berne; alto & baritone sax: Uri Caine; piano: Tom Rainey; drums

Album information

Title: Spin and Drift | Year Released: 2001 | Record Label: Premonition Records

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Eternal Moments
Yoko Yates
From "The Hellhole"
Marshall Crenshaw
Tramonto
John Taylor

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.