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Jazz Articles about Drew Gress

11
Album Review

Fred Hersch: The Surrounding Green

Read "The Surrounding Green" reviewed by Doug Collette


Taken together, Fred Hersch's first two albums for ECM Records can be seen as a bid for recognition as the preeminent pianist in contemporary jazz. The solo work of Silent, Listening (ECM, 2024) complements the trio work on The Surrounding Green, their individual and combined impact heightened by release on the vaunted label in successive years. As much as the former depicts Hersch's touch for nuance, the latter is a display of the equally subtle mutual empathy he ...

13
Album Review

Fred Hersch: The Surrounding Green

Read "The Surrounding Green" reviewed by Jack Kenny


Fred Hersch's The Surrounding Green , his third release for ECM Records, is a testament to the art of the piano trio, combining lyrical introspection with sophisticated interplay. Recorded in May 2024 at Lugano's Auditorio Stelio Molo under Manfred Eicher's meticulous production, the album features Hersch on piano, Drew Gress on double bass and Joey Baron on drums. Their decades-honed chemistry gives the album musical maturity, creating a sound that is both intimate and expansive. The album's seven ...

15
Album Review

Fred Hersch: The Surrounding Green

Read "The Surrounding Green" reviewed by Neil Duggan


In a world where turmoil arrives almost instantly via notifications on our devices, a Fred Hersch album feels like sanctuary--an invitation to slow down and listen deeply. The Surrounding Green, his third release for ECM, once again finds the pianist in tandem with producer Manfred Eicher, the ideal partner to bring focus to the pianist's gentle improvisational and instrumental artistry. Widely regarded as one of jazz's most distinctive and enduring voices, Hersch's creative vision has influenced the genre ...

9
Album Review

Phil Haynes: Return to Electric

Read "Return to Electric" reviewed by Glenn Astarita


Phil Haynes, a drummer who possesses an extensive and heralded resume, unleashes Return to Electric, a semiavant-garde fusion-fueled romp that feels like a love letter to the electric guitar's golden era, delivered with a sly wink. This album displays Haynes, guitarist Steve Salerno, and bassist Drew Gress capturing the experimental spirit of 1970s jazz-rock while demonstrating their mastery over modern styles. Haynes provides near-flawless support, punctuated by colorific cymbal accents, off-kilter deviations and polyrhythmic fills. The trio kicks ...

Album Review

Jason Robinson: Ancestral Numbers

Read "Ancestral Numbers" reviewed by Vincenzo Roggero


Unica seduta di registrazione dal 23 al 25 agosto 2023, due CD, Ancestral Numbers I e Ancestral Numbers II, usciti a qualche mese di distanza, stessa fonte di ispirazione--il ricordo della nonna materna e la sua influenza nella famiglia--stessa ricerca di relazioni tra numeri, genealogie e storie dettate dallo scorrere del tempo. È questa la prima parte di un progetto musicale pensato da Jason Robinson nel quale una serie di composizioni sarà pensata per appositi organici strumentali. Sassofonista e flautista ...

5
Album Review

Phil Haynes: Return to Electric

Read "Return to Electric" reviewed by Dan McClenaghan


The band Return to Forever was a seminal jazz fusion group led by pianist Chick Corea. The eponymous first album, on ECM Records, was released in 1972, opening doors for scores of other like-minded ensembles. Electricity was a main aspect of the move away from acoustic jazz. The Fender Rhodes piano and plugged-in bass and guitars of fusion took hold and, to some degree, seemed to be ushering the old (acoustic) guard out the door. But that did ...

2
Album Review

Marc Copland Quartet: Dreaming

Read "Dreaming" reviewed by Alberto Bazzurro


Si pone per così dire al centro del guado questo quartetto del settantaseienne pianista di Filadelfia Marc Copland, qui (il quartetto) al suo secondo album dopo Someday (2022, stessa etichetta). Il guado è la centralità dell'idioma jazzistico proposto, in bilico (in equilibrio, forse più correttamente) fra rispetto per il déjà écouté, tratti originali e sete di ricerca. Qui, magari, le percentuali pendono più verso il primo aspetto che verso gli altri due, però tutto è condotto in porto con estremo ...


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