Home » Jazz Articles » Album Review » John McLaughlin: Belo Horizonte
John McLaughlin: Belo Horizonte
The early '80s also signalled a time when McLaughlin moved to France and, surrounded by a group of fine French players-the exception being American drummer Tommy Campbell-McLaughlin created a group that, while undoubtedly influenced by the music of Brazil, also reflected a Mediterranean disposition and a new-found lyricism. Armed only with a classical guitar, McLaughlin is still capable of lightening fast runswitness his playing on the title track and the closing duo with Paco de Lucia, "Manitas D'Oro"but he also feels more at east, more relaxed and capable of letting the music breathe. While there are synthesizers on the record, the overall approach is acoustic, with pianist Katia Lebeque and Rhodes player Francois Couturier creating a lush layer, while bassist Jean Paul Celea and Campbell create a polyrhythmic backdrop that ranges from the samba-like "La Baleine" to the restrained intensity of "One Melody." "Waltz for Katia" is an up-tempo waltz featuring violinist Augustin Dumay, who lends a taste of the French Riviera, while "Stardust on Your Sleeve" is the closest thing to swing that McLaughlin had recorded to date.
Through it all McLaughlin plays with inspiration, passion, and a strong sense of melody that seemed missing on much of his earlier work. As immediate as his work with the Mahavishnu Orchestra and Shakti was, Belo Horizonte demonstrates another side of McLaughlin that, at the time, came as a bit of a surprise. On the other hand, given the diversity of his work, McLaughlin's shifts in direction really shouldn't come as unexpected. Pat Metheny once said that "McLaughlin has changed the evolution of the guitar at least three times," and it is clear that refreshed, reinvigorated and relocated, he did it once again with Belo Horizonte , an album that sounds as fresh and important today as it did twenty-three years ago. One can only hope that Warner will see fit to give the same treatment the followup recording, Music Spoken Here.
This remastered version of Belo Horizonte is currently only available in the UK.
Track Listing
Belo Horizonte; La Baleine; Very Early (Homage to Bill Evans); One Melody; Stardust on Your Sleeve; Waltz for Katia; Zamfir; Manitas D'Oro (for Paco de Lucia)
Personnel
John McLaughlin
guitarJohn McLaughlin (guitar), Katia Lebeque (Steinway piano, synthesizers), Francois Couturier (Fender Rhodes, synthesizers), Jean-Paul Celea (acoustic bass), Tommy Campbell (drums), Francois Jeanneau (soprano and tenor saxophones), Jean Pierre Drouet (percussion), Steve Sheman (percussion), Augustin Dumay (violin on "Waltz for Katia"), Paco de Lucia (guitar on "Manitas D'Oro")
Album information
Title: Belo Horizonte | Year Released: 2005 | Record Label: Warner Bros.
About John McLaughlin
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






