Home » Jazz Articles » Album Review » Norbert Stein: Pata Maroc
Norbert Stein: Pata Maroc
The opener, “Railships to Rabat” features the exotic flute performances of Michael Heupel along with the subliminal background soundscapes intelligently provided by Michael Rusenberg as he emulates – street-noise, trains and vaguely familiar sounds. Rusenberg provides shades of color and effective backdrops as he sets the stage for the mind’s eye. “Parliament of Music” is led by a straight four beat as Stein articulates choruses that intimate motion or perhaps a dynamic sense of travel and exploration. The lucid imagery becomes lifelike yet remains somewhat surreal, leaving portions or moments in time to be reconciled by our imaginations.
On many of these thirteen pieces, we are treated to unorthodox scales, spoken word, blues, scat vocals, multidimensional arrangements, ethnocentric rhythms, world beats and compelling interplay. The music toggles between joy, consternation, and in some instances the band purvey religious overtones which is evident in the hymn-like composition titled “Inside Chella” as if we had entered sacred grounds....
Norbert Stein and the “Pata Masters” deserve wider recognition on these shores. With each new release we never quite know what to expect – as Stein’s recordings are akin to events, stories, epics....yet the at times stark realism or otherworldly connotations of his music play with our senses and approach us from contrasting angles. Cinema for the ears? Perhaps. Pata Maroc is enchanting, persuasive and absorbing. Hearing is believing! * * * * *
Personnel
Norbert Stein
saxophoneNorbert Stein; Saxophones, Electronics: Rachid Zeroual; Nei
Album information
Title: Pata Maroc | Year Released: 1999 | Record Label: PATA Music
About Norbert Stein
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.





