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Pianist / composer Claude Bolling, who has traveled all over the musical map from swing to classical and back during more than four decades as one of France’s most formidable performing artists, settles into a straight-ahead groove on Paris Swing. This record is a warmhearted hommage to French popular song that showcases his superb big band in the company of vocalists Marc Thomas and Maud (no last name given, like Madonna or Cher but with a French accent). Thomas, who may be an ex-pat (but whose French is impeccable), is a gregarious showman who brings out the best in such numbers as “C’est Si Bon,” “La Javanaise,” “La Boite de Jazz” and “Y’a d’la Joie,” while Maud is a cabaret singer whose clear, sultry voice is perfectly suited to such evocative melodies as “Autumn Leaves,” “J’ai Deux Amours” (popularized by Josephine Baker), “Le Jazz et la Java” and “Syracuse.” The two are heard together on “A Man and a Woman” and the four-part medley “Paris Bouquet.”
The ensemble has seven selections to itself, and is typically magnifique on every one, including Charles Trenet’s well-known melodies, “La Mer” (Beyond the Sea) and “I Wish You Love,” Bolling’s “Borsalino,” Michel Legrand’s “Pair of Twins” (from the film Les Demoiselles de Rochefort ) and a souped-up version of the French national anthem, “La Marseillaise.” The opener, Bolling’s breezy, Basie-like “Suivez le Chef,” is a quick-witted “conversation” between his piano and the band. Bolling slows the tempo for a romantic version of “Beyond the Sea,” then picks it up again for “C’est Si Bon,” which was introduced by Yves Montand and became a mega-hit for Eartha Kitt in the ’50s. Maud sings “Autumn Leaves” in French and English, exposing only the slightest trace of an accent when abandoning her native tongue to interpret Johnny Mercer’s lyric. Instrumental soloists aren’t credited but they include Bolling and several members of the ensemble, each of whom is splendid. A delicious box of French bon bons, neatly packaged by maestro Bolling, his admirable big band and singers Thomas and Maud.
Contact: Milan Entertainment, 8750 Wilshire Boulevard, 2nd Floor, Beverly Hills, CA 90211. Phone 310-358-4285; fax 310-358-4276; e-mail email@example.com. Web site, www.milanrecords.com
Track Listing: Suivez le Chef; Beyond the Sea; C
Personnel: Claude Bolling, conductor, arranger, piano; Philippe Portejoie, alto,
soprano sax; Claude Tissendier, alto sax, clarinet; Pierre Schirrer, tenor
sax, flute; Romain Mayoral, tenor sax; Andr
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...