Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

8

Diego Barber: One Minute Later

Dan Bilawsky By

Sign in to view read count
Diego Barber's One Minute Later is something of a dance between certainty and dubiety, grounded in the guitarist-composer's convictions that the truth behind an improviser's feelings and musical fate relate directly to that which Federico García Lorca described in Poeta en Nueva York as a minute of contrition that comes with—or follows— complete liberation. It's a concept that cuts to the core of Barber's being and the emotional state connected to many if not most of those who operate without a net, made all the more profound by the way he aurally realizes it with this sui generis grouping.

By tapping into two of jazz's most technically gifted rhythmic expressionists—drummer Eric Harland and Ben Williams—and bringing the skills of stylistically nonpartisan percussionist Alejandro Coello to light, Barber manages to knit a rich tapestry of possibility full of vivid colors and grooves, Spanish accents, and classical allusions. There's reciprocal respect involved in the way that these musicians move with and around one another, but there's more than enough room for each man to take the leap and deal with what comes one minute later.

If any piece can fully represent the way this foursome operates, it's the album opener—"Jacaranda." It's a number that takes its name from a blossoming Andalusian tree, hinting at the evolutionary tale to follow without actually giving any idea of what sounds may come. In the end, the purple-flowered jacaranda is represented by a minute of quizzical marimba work that gives way to concentric explorations coalescing in an expression of Mediterranean-accented jazz metal before cycling back to Coello's recital hall ambiance. It's the first, and most obvious, manifestation of the art of holding on while letting go.

The seven numbers that follow all further the philosophical, physical, and psychological ideals attached to the album's title. "Atlas," based on Barber's impressions of the mountains of Morocco, speaks to beauty, awe, and grandeur; "Dilar River" is a hip stride-and-flow statement built on the highly creative rhythmic foundations of Harland and Williams; the evocative "Mulhacen," the wondrously kaleidoscopic "Trevenque," and the groove-moored "Veleta's Peak" add to the catalog of Barber's musings on mountains; "Big House," showcasing Williams' wide-angle views and bringing the leader's instrumental patience and proficiency into view, proves to be a homey space with an open floor plan; and "Elvira Maria," a touching solo guitar piece dedicated to Barber's girlfriend, ends the album with hushed and loving tones.

While all of this music was recorded in New York, the album's heart belongs to Granada, Spain. That's where Lorca lived, that's Barber's girlfriend's hometown, and that's where the guitarist's mind's eye brought much of this music into existence. Those Spanish vistas and Lorca's poetic realizations fired Barber's imagination, bringing this sweeping and stunning work to life.

Track Listing: Jacaranda; Atlas; Dilar River; Mulhacen; Trevenque; Big House; Veleta's Peak; Elvira Maria.

Personnel: Diego Barber: guitar; Alejandro Coella: marimba, percussion; Eric Harland: drums; Ben Williams: bass.

Title: One Minute Later | Year Released: 2017 | Record Label: Sunnyside Records

Tags

Related Video

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

CD/LP/Track Review
Read more articles
One Minute Later

One Minute Later

Sunnyside Records
2017

buy
 

411

Ultrax Records
2013

buy
The Choice

The Choice

Sunnyside Records
2011

buy
Calima

Calima

Sunnyside Records
2009

buy

Related Articles

Read The Tale CD/LP/Track Review
The Tale
by Dan McClenaghan
Published: December 17, 2018
Read Down a Rabbit Hole CD/LP/Track Review
Down a Rabbit Hole
by Jack Bowers
Published: December 17, 2018
Read Trioliloquy CD/LP/Track Review
Trioliloquy
by Friedrich Kunzmann
Published: December 17, 2018
Read Perspectives II CD/LP/Track Review
Perspectives II
by Jerome Wilson
Published: December 17, 2018
Read Red CD/LP/Track Review
Red
by Nick Catalano
Published: December 17, 2018
Read Everything's OK CD/LP/Track Review
Everything's OK
by Doug Collette
Published: December 16, 2018
Read "Home Boy, Sister Out" CD/LP/Track Review Home Boy, Sister Out
by Chris May
Published: July 22, 2018
Read "The Tale" CD/LP/Track Review The Tale
by Dan McClenaghan
Published: December 17, 2018
Read "New Life" CD/LP/Track Review New Life
by Roger Farbey
Published: October 30, 2018
Read "Terrestrial" CD/LP/Track Review Terrestrial
by Troy Dostert
Published: July 17, 2018
Read "Cabin In The Sky" CD/LP/Track Review Cabin In The Sky
by Dan Bilawsky
Published: July 30, 2018
Read "John McLaughlin and Jimmy Herring - Live in San Francisco" CD/LP/Track Review John McLaughlin and Jimmy Herring - Live in San Francisco
by Mike Jacobs
Published: September 8, 2018