Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for readers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!


Jaga Jazzist: One-Armed Bandit

John Kelman By

Sign in to view read count
After a five-year break from recording, Jaga Jazzist is back. The Norwegian group's Molde Jazz 2009 performance—its first in four years, barring a single 2007 date in Singapore—provided clear evidence that the touchstones defining this sibling-run group remain intact (multi-instrumentalist Lars Horntveth writes all the music; percussionist Martin Horntveth is the onstage spokesperson for the band; and sister Line Horntveth, in addition to tuba, flute and vocals, acts as the publicity face for the group). But there have been some changes afoot as well. Performing much of One-Armed Bandit at Molde, Jaga Jazzist's mélange of rock energy, jazz vernacular, minimalistic tendencies, episodic composition, expansive instrumentation and electronic manipulation has never sounded better. Not since 1970s British progsters Gentle Giant has there been a group combining so many multi-instrumentalists, playing music so complex and ever-shifting that it's a paradoxically exhausting yet exhilarating experience just trying to keep up with who's playing what.

The comparison to Giant is superficial at best, though Jaga Jazzist shares its ability to couch detailed writing with visceral rhythms that ground even the most byzantine tracks. This may be music for the mind in its challenging metric shifts, elaborate counterpoint and textural expansiveness, but it's also music for the body. Even as trumpets, trombones, saxophones and tuba coincide and alternate with angular guitars, vibraphones, harps and keyboards, it's almost impossible to experience propulsive tracks like the riff-driven, near-blues of "Bananfleur Overalt" or the Frank Frank Zappa-esque title track—even the irregularly metered "Music! Dance! Drama!"—without engaging in a little booty shaking.

There have been some personnel shifts in the group, even as it trims down from the tentet of What We Must (Ninja Tune, 2005) to One-Armed Bandit's leaner nonet. Most significant is the recruitment of guitarist/harpist/percussionist Stian Westerhus, who returned to Norway after a number of years abroad and has done a terrific job of finding his way into everything from the big band free improv of Crimetime Orchestra and Monolithic's equally extreme Black Science (Vendlus, 2009) to his beautifully packaged solo LP, Galore (2009), on Rune Grammofon's The Last Record Company imprint. He plays far more arrangement on One-Armed Bandit than he did in performance at Molde; a sonic explorer who lends a vital new edge to Jaga Jazzist.

But longstanding JJ'ers, including vibraphonist/marimbist/guitarist/keyboardist Andreas Mjøs and trumpeter/bassist/keyboardist/French hornist Mathias Eick—whose own career as a leader has been on an upward trajectory since the release of The Door (ECM, 2008)—keep momentum and color moving forward on tracks like the synth-laden, densely guitar-driven "220 V/Spektral" and tuned percussion-heavy "Toccatta," which suggests how Philip Glass might sound, were he to add a kick-ass drummer to the mix.

Jaga Jazzist's international success has been something of a remarkable confluence, but proves that music needn't be dumbed down to find an audience. With the unfailingly exciting One-Armed Bandit, Already brilliant, Jaga Jazzist continues to make music as deep as it is danceable, with a revised line-up that will no doubt get even better with more touring under its belt. And that's a scary prospect.

Track Listing: The Thing Introduces...; One-Armed Bandit; Bananfluer Overalt; 220 V/Spektral; Toccata; Prognissekongen; Book of Glass; Music! Dance! Drama!; Touch of Evil.

Personnel: Andreas Mjøs: vibraphone, guitar, Korg MS10, marimba, glockenspiel, crotales, percussion; Martin Horntveth: drums, drum machines, percussion, bulbul tarang, marxophone, mandolin harp, psaltery, bells, temple blocks, spike piano, programming; Lars Horntveth: guitars, clarinet, bass clarinet, tenor saxophone, soprano saxophone, baritone saxophone, flute, Roland SH-2, keyboards, piano, lap steel guitar, eBow-banjo, programming; Stian Westerhus: electric guitar, baritone guitar, 12-string guitar, harp, effects, percussion; Line Horntveth: tuba, flute, percussion, glockenspiel, vocals; Even Ormestad: bass, keyboards, glockenspiel, percussion; Erik Johannessen: trombone, marxophone; Mathias Eick: trumpet, upright bass, keyboards, piano, French horn; Øystein Moen: synthesizers, piano, organ, percussion; Jørgen Træen: Korg Ms-20, additional programming; John McEntire: analog synth processing; Jim Baker: ARP synthesizer (5, 6); The Thing (1): Mats Gustafsson: baritone saxophone; Ingebrigt Haker Flaten: upright bass; Paal Nilssen-Love: drums.

Title: One-Armed Bandit | Year Released: 2010 | Record Label: Ninja Tune


Related Video

comments powered by Disqus

More Articles

Read OR CD/LP/Track Review OR
by Geno Thackara
Published: January 18, 2018
Read Reaching Out CD/LP/Track Review Reaching Out
by Mark Corroto
Published: January 18, 2018
Read The Songbook Project CD/LP/Track Review The Songbook Project
by Don Phipps
Published: January 18, 2018
Read Solo a Genova CD/LP/Track Review Solo a Genova
by Dan McClenaghan
Published: January 18, 2018
Read Satoko Fujii Solo CD/LP/Track Review Satoko Fujii Solo
by Karl Ackermann
Published: January 17, 2018
Read when the shade is stretched CD/LP/Track Review when the shade is stretched
by Mark Sullivan
Published: January 17, 2018
Read "Destinations" CD/LP/Track Review Destinations
by Dan Bilawsky
Published: June 18, 2017
Read "No Excuses" CD/LP/Track Review No Excuses
by Thomas Earl
Published: January 9, 2018
Read "Knock A Hole In It" CD/LP/Track Review Knock A Hole In It
by James Nadal
Published: April 12, 2017
Read "Through The Glass" CD/LP/Track Review Through The Glass
by Nicola Negri
Published: March 25, 2017
Read "Fresh Air Project" CD/LP/Track Review Fresh Air Project
by Jerry D'Souza
Published: September 30, 2017
Read "80 Years" CD/LP/Track Review 80 Years
by Roger Farbey
Published: November 10, 2017