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Philip Glass
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Philip Glass, early protagonist of the Minimalist movement, studied with Milhaud and Nadia Boulanger. His first job, assisting Ravi Shankar on a film soundtrack, heralded the start of his own successful cinema career, and to date he has scored over fifty movies. Early works tended to be abstract, but from the mid-1970s his attention shifted towards the stage. His first operatic triumph, Einstein on the Beach, did much to reinvigorate the international contemporary opera scene. Profoundly interested in traditional cultures, Glass often draws on Eastern traditions, as in Monsters of Grace (1997), a multimedia collaboration based on the writings of Rumi
Meet Jack DeJohnette
by Craig Jolley
This article was first published on All About Jazz in March 2002. One of the most creative and propulsive musicians in the history of jazz, drummer/pianist/composer Jack DeJohnette has played with most leading-edge jazz musicians of the time, usually at their request. He invariably brings out another side and a freshness in whoever he ...
Dickie Landry: From Lafayette to the New York Loft Scene
by Thomas Cole
Reknowned in the region for music that reflects its various cultural influences, Dickie Landry is one of the older players still active in Louisiana. Arriving in his home state for the interview, AAJ called Landry to check in. Quickly answering the phone and to the usual greeting of “how are you today," he immediately responded, “Alive!" ...
David Harrington Of Kronos Quartet: The Musician Listens
by Lawrence Peryer
Today, the Spotlight shines on violinist and visionary David Harrington, founder of Kronos Quartet.For fifty years, David has led one of the most adventurous musical ensembles on the planet. Kronos has commissioned over 1,100 works, collaborated with everyone from Philip Glass to Nine Inch Nails, and earned three Grammys along the way. Their recent ...
Sam Sadigursky: Making Things
by Katchie Cartwright
Los Angeles-bred New York-based clarinetist and multi-reedist Sam Sadigursky enjoys a varied and distinguished career, performing and recording with a number of renowned ensembles, including those of composers Darcy James Argue and Philip Glass, pianists Brad Mehldau and Fred Hersch, pop stars David Byrne and Tom Jones, among others, in addition to his own projects.
Big Ears 2025: A Personal Perspective
by Mark Adams
More than simply size, the “big" in Big Ears (March 27-30, 2025, Knoxville, TN) most certainly points to breadth, diversity, a widening or expanse. This is not the Fast Feet festival, though a pair are necessary to accommodate the ever-expanding footprint of venues in Knoxville. This isn't the Huge Heart gathering, though it certainly feels like ...
Big Ears Festival 2025
by Mark Sullivan
Big Ears Festival Knoxville, TN March 27-30, 2025 This year's festival again featured several spotlighted events (but none of them required special ticketing, as was tried last year). “Across the Horizon" was a series of concerts combining Americana and ambient music, curated by Bob Holmes and the band SUSS. “Age ...
Joe Brent: Mandolin Magic from Vivaldi to Vinegar Hill
by Lawrence Peryer
Today, the Spotlight shines On composer, mandolinist, multi-instrumentalist, teacher, and label founder Joe Brent.Joe has worked with artists ranging from Regina Spektor to the Philip Glass Ensemble, but his collaboration with Grammy-nominated violinist Sara Caswell and bassist Andrew Ryan in 9 Horses was the impetus for our time together. 9 Horses creates music between ...
The Necks a Firenze per A Jazz Supreme
by Neri Pollastri
The Necks Sala Vanni A Jazz Supreme--Musicus Concentus Firenze 8 novembre 2024 Per la prima volta a Firenze, all'interno della rassegna A Jazz Supreme del Musicus Concentus, venerdì 8 novembre sono saliti sul palco della Sala Vanni The Necks, notissimo piano trio australiano di lungo corso (si sono formati ...
Kevin Sun: Quartets
by Mark Corroto
Sometimes, talent calls out, other times, it is acknowledged with a nod. For saxophonist and composer Kevin Sun, both are obvious. The mastery of his instrument is a given; it is just that his music is never flashy or overindulgent, thus the nod. That fact is evident in previous discs on his Endectomorph Music label; the ...
