Results for "Philip Glass"

Philip Glass

Philip Glass, early protagonist of the Minimalist movement, studied with Milhaud and Nadia Boulanger. His first job, assisting Ravi Shankar on a film soundtrack, heralded the start of his own successful cinema career, and to date he has scored over fifty movies. Early works tended to be abstract, but from the mid-1970s his attention shifted towards the stage. His first operatic triumph, Einstein on the Beach, did much to reinvigorate the international contemporary opera scene. Profoundly interested in traditional cultures, Glass often draws on Eastern traditions, as in Monsters of Grace (1997), a multimedia collaboration based on the writings of Rumi. Born in Baltimore on January 31, 1937, Philip Glass discovered music in his father's radio repair shop

Meroli: Notturni

By CHRIS MAY

Jazz has a great track record when it comes to film scores. Standouts include Miles Davis' soundtrack for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959) and Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962). There are dozens more, particularly from the 1950s and 1960s, before rock became the ...

Joost Lijbaart: Free Conversations With Myself

By IAN PATTERSON

For an artist, making any album is something of a journey—the birthing of ideas, the moulding and sculpting of concepts, the creative trial and error, the emotional highs and lows, and in the end, the satisfaction of a work completed. Dutch drummer/percussionist and composer Joost Lijbaart has travelled that road many times in a thirty-year career, ...

Joost Lijbaart: Free

By IAN PATTERSON

As a student in the 1980s, Dutch drummer-percussionist Joost Lijbaart first dreamt of making a solo album, inspired by the examples of Tony Oxley, Pierre Favre, Art Blakey, Max Roach and Jack DeJohnette. A successful recording and touring career with Yuri Honing—and with his own groups—left little time for such a focused project. In 2014, Lijbaart ...

Budapest Music Center: A cultural confluence at the heart of Hungary

By FRIEDRICH KUNZMANN

The Budapest Music Center, known by its acronym BMC, was founded in 1996 by Hungarian trombone player, music educator and entrepreneur László Gőz. Upon initial conception, the institution's main goal was to create a musical network to help Hungarian musicians and other interested parties to gain an overview of the country's musical happenings, past and present, ...

2020 Fano Jazz by the Sea

By ENRICO BETTINELLO

Fano Jazz By The Sea Rocca Malatestiana Fano, Italy July 24-31, 2020 In the first half of 2020, the Italian jazz scene was heavily affected by the Covid-19 pandemic that so tragically hit the country. Winter and spring festivals in Bergamo, Torino, Novara, Bolzano, Vicenza, and other cities, had to ...

Prestige Records: An Alternative Top 20 Albums

By CHRIS MAY

Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

Anansi Trio: Calling

By JEROME WILSON

The Washington, DC based Anansi Trio create a lot of varying sounds with a deceptively simple lineup of reeds, bass and percussion. Their first album, On The Path (Anansi Trio, 2018), established their approach of mixing jazz and world rhythms based around the intricate sound of Mark Merella's combination trap drum and conga setup. This second ...

Andrew Schiller Quintet: Sonoran

By JEROME WILSON

The Sonoran Desert lies across the American Southwest and Northwestern Mexico. It is where bassist Andrew Schiller was born and it is the inspiration for the music on this CD he has written that draws from jazz, folk and classical sources. Schiller's quintet has a front line of tenor sax, alto sax and bass ...

Joe Rosenberg Ensemble: Marshland

By JEROME WILSON

Soprano saxophonist Joe Rosenberg seems to try out a new configuration of his Ensemble every time he records. On his previous release, Tomorrow Never Knows (Quark, 2017) he led a quintet with cello and piano in the front line. On this new effort, he changes to a three-horn format with trumpeter Bart Maris and tenor/soprano saxophonist ...