New York Trio, Always (Venus). This is pianist Charlap's other trio, with bassist Jay Leonhart and drummer Bill Stewart rather than his Blue Note companions Peter Washington and Kenny Washington. In his eighth CD for the Japanese label he honors Irving Berlin by lovingly playing the melodies of ten Berlin songs, then improvising on the pieces with inventiveness, harmonic ingenuity and interaction with Leonhart and Stewart. Charlap's keyboard touch and subtle use of dynamics, notable throughout, are captivating in the unaccompanied version of “Russian Lullaby" that ends the album. 
Miguel Zenn, Esta Plena (Marsalis Music). The alto saxophonist and composer illuminates and elevates la plena, the peoples' music of his native Puerto Rico. Zenon augments his quartet with percussionists playing pandero, seguidor and requinto drums to provide the music's rhythmic heart. Zenon's playing further establishes him as one of the most important young soloists in jazz. Pianist Luis Perdomo, bassist Hans Glawischnig and drummer Henry Cole are impressive throughout. Zenn aids understanding of the music with a scholarly liner essay tracing the history and cultural importance of la plena.
Red Mitchell, Warne Marsh, Big Two (Storyville). Bassist Mitchell (1927-1992) and tenor saxophonist Marsh (1927-1987) played as a duo for two nights in 1980 at the Fasching Club in Stockholm. In this intimate recording, Storyville engineer Nils Edstrm captured the brilliance and inventiveness of their work. Long unavailable, the 2-CD set captures them at the peak of their powers. Among the highlights: Marsh channeling Lester Young's famous “Lady Be Good" solo, then creating a memorable one of his own, and the two romping through Miles Davis's “Little Willie Leaps."
Art Farmer, Live in '64 (Jazz Icons). Farmer's quartet with guitarist Jim Hall was one of the greatest small groups in jazz history. For this television appearance, he featured pieces never released in the quartet's recordings. Among them are an exhilarating “Bilbao Song," Sonny Rollins's “Valse Hot" and Cole Porter's “So in Love." Steve Swallow is the bassist, Pete LaRoca the drummer. Deeply experienced together by this time, the four were breathtaking in their individual and collective performance. The BBC-TV video is crisp, the audio clear. This is a jewel in Jazz Icons' eagerly anticipated fourth release.
Helene La Faro-Fernandez, Jade Visions: The Life and Music of Scott La Faro (North Texas). There will be other books about the most important young bassist of the last half of the twentieth century. Their authors will mine this invaluable first biography. The insight La Faro's sister gives into his character, musicality and determination could come only from someone so close. But the book is not just memories. La Faro-Fernndez conducted dozens of interviews and did meticulous research to create a full portrait of the man who in a tragically short career changed jazz bass playing.
