Notes from the Net: Miles' Box Set of Box Sets; John Hicks Honored in NYC; Plus News, Reviews, Interviews and More


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Here's the latest compilation of assorted news briefs and links related to jazz, improvisation, and creative music in St. Louis, including news of musicians originally from the Gateway City, recent visitors, and coming attractions, plus assorted other items of interest:
  • The big Miles Davis news this time out is the release on September 14 of The Genius of Miles Davis , a new collection bringing together eight deluxe multi-CD box sets, including 43 CDs of music, which were originally released on Columbia/Legacy between 1996 and 2007.

    Presented in a replica of Miles' own trumpet case (pictured), the collection contains Miles Davis & Gil Evans: The Complete Columbia Studio Recordings (6 CDs); Miles Davis Quintet 1965-1968 (6 CDs); The Complete Bitches Brew Sessions (4 CDs); Miles Davis & John Coltrane: The Complete Columbia Recordings, 1955-1961 (6 CDs); The Complete In A Silent Way Sessions (3 CDs); The Complete Jack Johnson Sessions (5 CDs); Seven Steps: The Complete Columbia Recordings Of Miles Davis, 1963-1964 (7 CDs); and The Complete On The Corner Sessions (6 CDs).

    Extras include a replica of the 'Gustat' Heim 2 model mouthpiece used by Davis; a “previously unseen and unavailable fine art lithograph" by the trumpeter himself; and a “boutique-worthy" T-shirt with an image of Davis playing his horn.

    In other Miles-related news, the 40th anniversary of the release of Davis' influential Bitches Brew has prompted “Miles Davis: Forty Years of Freedom—The legacy of Bitches Brew," an article by Geoffrey Himes in the September issue of Jazz Times. Also, the 40th anniversary reissue edition of the album is reviewed here for AllAboutJazz.com by Doug Collette, and the music from the sessions also was celebrated earlier this month at a concert in Los Angeles. Last but certainly not least, here's audio of a recently rediscovered interview from 1970 with Teo Macero, in which Macero, who produced Davis' Columbia recordings, discusses the making of albums like Bitches Brew and Live Evil.

  • Speaking of recently unearthed recordings, trumpeter and St. Louis native Clark Terry's episode of the NPR program “Marian McPartland's Piano Jazz" recently was posted online. Terry also is one of several jazz legends interviewed for the Visionary Project, an archive of African American oral history. You can check out Terry's interview here.

  • Updating the world via his Twitter feed, saxophonist and former St. Louisan Oliver Lake writes that he recently went to Belgium with the World Saxophone Quartet and percussion group M'boom to play the Middelheim Jazz Festival; did a week at NYC's Birdland with Trio 3 and pianist Geri Allen; and is set to play the Jazz Standard this week with his Organ Quartet, featuring Jared Gold.

  • Another Oliver—the late composer, alto saxophonist and St. Louisan Oliver Nelson—recently was the subject of a post on Doug Ramsey's blog Rifftides.

  • Remember that Greg Osby live NPR broadcast from the Village Vanguard we told you about here? The saxophonist, composer and St. Louis native's gig also was reviewed by the New York Times' Nate Chinen here, and has been archived for online streaming and downloading here.

  • A section of West 139th St at Frederick Douglass Boulevard in Harlem has been renamed “John Hicks Way" in honor of the late jazz pianist and former St. Louisan. WBGO's Josh Jackson reports on the renaming here, and there's a photo of the new street sign bearing Hicks' name here.

  • Saxophonist Chris Cheek has a new CD, Jugendstil II, recorded for ESP Disk in collaboration with the venerable sax master Lee Konitz and bassist Stephane Furic Leibovici. Here's a review of the album written for AllAboutJazz.com by Raul d'Gama Rose.

  • Turning to news of coming attractions, pianist Vijay Iyer has a new CD, Solo, that's attracting lots of interest after the success of his previous release Historicity. AllAboutJazz.com already has up three reviews of the disc: one here written by Bruce Lindsay, here by Lyn Horton, and here by Chris May. Meanwhile, About.com's Jacob Teichrow has a review of the new Iyer disc here, and the pianist is interviewed for a feature about the release by the Los Angeles Times' Chris Barton here. Iyer will return to St. Louis to play with trumpeter Wadada Leo Smith's Golden Quartet in November at the 560 Music Center under the auspices of New Music Circle.

  • Dave Brubeck celebrated his 90th birthday a bit early this month at the Newport Jazz Festival. Brubeck is scheduled to come back here in October to perform at the Sheldon Concert Hall as part of the American Arts Experience -St. Louis festival.

  • In other Newport-related news, pianist Hiromi's performance is documented here by NPR's “Jazz Set," and the network's recording of the Preservation Hall Jazz Band's concert at the parallel Folk Festival can be heard here. Hiromi will play with bassist Stanley Clarke in February at Jazz at the Bistro, while the PHJB's tour with the Del McCoury Band comes here in October to the Family Arena in St. Charles.

  • After his recent hospitalization in France, singer Al Jarreau resumed his European tour. Jarreau said on his website he expects to complete the rest of the European tour and fulfill other concert commitments in the United States, Japan and elsewhere after doctors in Marseille successfully treated him for arrhythmia, or heart palpitations. Jarreau is scheduled to perform in February at the Touhill Performing Arts Center under the auspices of Jazz St. Louis.

  • Apparently, tenor saxophonist Wilton Felder is the Jazz Crusader having health challenges that have forced the postponement of the group's St. Louis appearance, originally scheduled for next month at the Touhill. Interestingly, Felder was replaced on the band's date in Long Beach by Euge Groove, who was just here last weekend at the Pageant.

  • Speaking of Groove, he's just released Groove On This, a new “interactive album" on data DVD. The recording is designed to be listened to and played with on something called the Beamz Player Interactive Music System, which allows listeners to remix songs in real time, among other things.

  • In more news of recent visitors, saxophonist Boney James, who played the Bottleneck Blues Bar last month, is still glad to be back on stage touring after a serious auto accident and dental surgery sidelined him for several weeks earlier this year.

  • Signer and pianist Harry Connick Jr, who played here in June at the Fox Theatre, recently brought his big band to the Hollywood Bowl.
* In other miscellaneous news from around the jazz internet, The Bad Plus' pianist Ethan Iverson recently “rebooted" his widely read blog Do The Math; Argentine pianist Esteban Sehinkman has posted online a free “real book" of compositions by Argentine jazz musicians; and photographer William Gottlieb's jazz photos in the Library of Congress have just entered the public domain.

* Finally, condolences to the family, friends and fans of Kansas City saxophonist and jazz-scene elder statesman Ahmad Alaadeen, who recently died after a battle with cancer. Plastic Sax's Bill Brownlee penned a nice tribute to Alaadeen for the Kansas City Star, which you can read online here.

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This story appears courtesy of St. Louis Jazz Notes by Dean Minderman.
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