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John Taylor

John Taylor was born in Manchester (25th September 1942) and first came to the attention of the jazz audience in 1969 when he partnered saxophonists, Alan Skidmore and John Surman. He was later reunited with Surman in the short-lived group Morning Glory and in the 1980s with Miroslav Vitous’s quartet.

In the early 1970s, he was accompanist to the singer Cleo Laine and started to compose for his own sextet. John also worked with many visiting artists at Ronnie Scott’s club and later became a member of Ronnie’s quintet.

In 1977 John formed the trio Azimuth, with Norma Winstone and Kenny Wheeler. The group was described by Richard Williams as “…one of the most imaginatively conceived and delicately balanced contemporary chamber-jazz groups’. The trio made several recordings for ECM Records and performed in Europe, the USA, and Canada.

The 1980s saw John working with groups led by Jan Garbarek, Enrico Rava, Gil Evans, Lee Konitz, and Charlie Mariano as well as performing in duo contexts with Tony Coe and Steve Arguelles. Composing projects included a commission for the English choir Cantamus with Lee Konitz and Steve Arguelles and pieces for the Hannover Radio Orchestra with Stan Sulzmann.

John was a member of Kenny Wheeler’s quartet and large ensemble and performed in duo and quartet settings with John Surman .” Their recording of ‘Ambleside Days’ on ahum won critical acclaim. In 1996 John played organ on John Surman's choral work 'Proverbs and Songs' from Salisbury Cathedral, later released on ECM Records. During the 1990s he made several recordings also for ECM with Peter Erskine's trio with Palle Danielsson on bass. John Taylor’s elegant and resourceful piano playing has had a role to play in many ECM settings. All told in his career, he recorded 27 albums with ECM artists.

In 2000 John made a new collaboration with Azimuth and the Smith Quartet for the Weimer Festival. Also in that year he recorded 'Verso' with Maria Pia De Vito and Ralph Towner.

John celebrated his 60th birthday year in 2002 with a Contemporary Music Network Tour in which he presented his new trio with the drummer Joey Baron and Marc Johnson on bass. The tour also featured the Creative Jazz Orchestra playing John's composition 'The Green Man Suite'. In July 2002 John received the BBC Jazz Award for 'Best New Work' for this suite.

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9
Album Review

John Taylor: Tramonto

Read "Tramonto" reviewed by Neil Duggan


British pianist John Taylor (1942-2015) possessed a remarkable talent for eluding the global recognition his skills warranted. A former house pianist at London's Ronnie Scott's club, Taylor probably achieved his widest acclaim through Azimuth, the group he formed with vocalist Norma Winstone (his wife) and trumpeter Kenny Wheeler. His trio recordings with drummer Peter Erskine and bassist Palle Danielsson further cemented his reputation. Tramonto captures Taylor in another trio setting, this time collaborating with American musicians bassist Marc ...

9
Album Review

Louis Stewart: I Thought About You

Read "I Thought About You" reviewed by Ian Patterson


For jazz guitar fans, and for aficionados of Irish guitarist Louis Stewart in particular, the 2022 relaunch of '70s label Livia Records has been manna from heaven. This is the born-again label's fifth reissue of the great Dublin six-stringer's out-of-print recordings since the series launched with Stewart's other 1977 album Out on His Own (Livia Records, 2023). That album is widely viewed by guitarists past and present as a solo jazz guitar album for the ages. I Thought About You ...

Album Review

John Taylor: Close to Mars

Read "Close to Mars" reviewed by Alberto Bazzurro


Nell'approssimarsi del decennale della scomparsa di John Taylor, che ci ha lasciati nel luglio 2015 un paio di mesi prima di compiere settantatré anni, ecco questo notevole album inciso dal pianista di Manchester nell'ottobre 2006 nei mitici Bauer Studios di Ludwigsburg accanto a un'ideale coppia di coéquipiers, oggi purtroppo a loro volta non più fra noi. Taylor era uomo di sintesi (come Steve Lacy, tanto per fare un altro nome), stilistica, nel suo raccogliere diversi input e riassumerli ...

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Extended Analysis

A Supreme Love

Read "A Supreme Love" reviewed by Duncan Heining


Alan Skidmore is one of the finest saxophonists to come out of the United Kingdom, Europe or indeed anywhere. In fact, it was hearing Skidmore's tenor solo on “Have You Heard?" from John Mayall's Bluesbreakers with Eric Clapton (Decca, 1966) that encouraged a young Michael Brecker to take up the instrument. Skidmore had also served his apprenticeship with blues singer Alexis Kornerin the sixties and by the end of the decade was equally well-versed in the blues and in the ...

22
Liner Notes

Peter Erskine Trio: As It Was

Read "Peter Erskine Trio: As It Was" reviewed by John Kelman


The box set you hold in your hands features three players who came together in an exceptional group to play some of the most compelling and exploratory piano trio music of the 20th Century's final decade. This threesome, led by Peter Erskine, released four albums recorded between July 1991 and July 1997: 1993's You Never Know, 1994's Time Being, 1996's As It Is and 1999's Juni. That the drummer's critically acclaimed piano trio, also featuring Swedish double bassist Palle Danielsson, ...

5
Album Review

John Taylor Sextet: Fragment

Read "Fragment" reviewed by Chris May


The not-for-profit Jazz In Britain label is one of the unsung heroes of British jazz. And if it is being sung, apologies, it deserves to be sung louder. While it is fitting that the musicians who make up London's new alternative jazz scene receive a massive shout out, the players who came before them, who paved the way for British jazz's current explosion, tend to get overlooked. Slowly, this is changing, and Jazz In Britain is in ...

1
Album Review

Nucleus: Nucleus Live at the BBC

Read "Nucleus Live at the BBC" reviewed by Maurizio Comandini


Dio salvi la regina. E la BBC. L'emittente di stato britannica ha capito fin da subito che da quelle belle energie musicali, che spuntavano come l'erba di Hyde Park sotto al tiepido sole di quelle latitudini, passavano le scelte esistenziali e culturali delle nuove generazioni e sin dagli anni sessanta ha dato ampio spazio alla musica, premiando non solo il pop ma anche le proposte più articolate e di nicchia e ha conservato in archivio una buona parte di quelle ...

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Review of his album "Rosslyn", 2003

"The British pianist combines a ruminative, restlessly probing manner with lightning changes of mood and tempo, where a sense of swing is never far away, however, cerebral things might sound. Incredibly, despite having recorded for ECM for 25 years, this is Taylor’s debut as a leader on the label. With such a lot of time to choose his musicians, Taylor has chosen well, and New Yorkers Marc Johnson on bass and Joey Baron on drums provide complementary foils for Taylor’s customary interplay of rhythm and rhapsody; Johnson was also a bassist to Taylor’s hero, Bill Evans, while Baron has the enviable ability, as Charlie Haden once said of Paul Motian, to make the drums sound like a musical instrument

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Music

Recordings: As Leader | As Sideperson

Close to Mars

CAM Jazz
2025

buy

I Thought About You

Livia Records
2025

buy

Tramonto

ECM Records
2025

buy

A Supreme Love

Confront Recordings
2023

buy

Fragment

Jazz In Britain
2022

buy

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