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Sara Schoenbeck
Sara Schoenbeck is a bassoonist who dedicates herself to expanding the sound and role of the bassoon in the worlds of classical, contemporary notated and improvised music. The Wire magazine places her in the "tiny club of bassoon pioneers" at work in contemporary music today and the New York Times has called her performances "galvanizing" and "riveting, mixing textural experiments with a big, confident sound.”
Originally from California, Sara spent her time on the west coast freelancing in various orchestral bassoon sections such as Santa Barbara Symphony, California Symphony, Redlands, Mancini Orchestra, the Dakah Hip Hop Orchestra and touring as a member of creative music ensembles Gravitas Quartet with Wayne Horvitz, Ron Miles and Peggy Lee, Anthony Braxton’s 12+1(tet) and Vinny Golia’s Large Ensemble. Sara also recorded for various sound and film projects including the Matrix 2 and 3, Dahmer and Spanglish.
Sara now calls Brooklyn home and performs regularly with Petr Kotek’s SEM ensemble, the composers group WetInk, Wordless Music Orchestra, Anthony Braxton’s Tri-Centric Orchestra, Gravitas, Harris Eisenstadt’s Golden State Quartet, Eve Risser's White Desert Orchestra, Nels Cline Lovers Ensemble, Adam Rudoplph's Go Organic Orchestra and the Michael Leonhart Band as well as performing with many creative and inspiring musicians in the New York scene and beyond including Roscoe Mitchell, the legendary musicians Butch Morris and Yusef Lateef, Wadada Leo Smith, Robin Holcomb, Matt Mittchell, Pamela Z, Taylor Ho Bynum, Joe Morris, Miya Masaoke, Ingrid Laubrock, Marty Ehrlich, Ben Goldberg, Stew and Mark Dresser to name a few. She has performed at major venues and festivals throughout North America and Europe, including Carnegie Hall, Lincoln Center Out of Doors, the Kitchen, Iridium, Disney Hall, the Kennedy Center, SXSW, New Orleans Jazz Festival, Newport Jazz Festival, Berlin Jazz Festival, Free Music Festival in Antwerp Belgium, Biennale Musica in Venice Italy, Montreal Jazz Festival, Ottawa Jazz Festival, the Vancouver International Jazz Festival, The Angel City Jazz Festival in Los Angeles and the San Francisco Jazz Festival.
Sara received her BFA from the San Francisco Conservatory of Music and MFA from the California Institute of the Arts where she has given master classes on improvisation for bassoonists and classically trained musicians. Sara has been adjunct faculty at California Institute of the Arts, Citrus College and Pasadena Conservatory and given master classes at Cornish College, University of Denver and Western Washington University. She is currently on faculty at Brooklyn Conservatory of Music and Packer Collegiate Institute.
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Jeff Lederer: There's a Yearnin'
by Jerome Wilson
Jazz and classical music have been intersecting for decades. One of the most prominent examples of this was the Third Stream movement of the sixties, where composers and musicians like Gunther Schuller and John Lewis encouraged the efforts of jazz musicians who wanted to experiment in the world of classical music. The music created through the movement is little heard today, but Jeff Lederer has here assembled a selection of works from that period by Ornette Coleman, Eric Dolphy and Oliver ...
Continue ReadingQuinsin Nachoff: Patterns from Nature
by Glenn Astarita
Quinsin Nachoff, a Canadian-born saxophonist and composer now based in New York, has long pursued deep connections between music, science, and visual form. Patterns from Nature grew from an extended collaboration with physicist Dr. Stephen Morris of the University of Toronto, drawing on concepts of emergent order in natural systems. The project spread itself across several formats--a recorded suite, a film with contributions from four filmmakers, and live multimedia performances--and assembles an exceptional cast: pianist Matt Mitchell, clarinetist François Houle, ...
Continue ReadingAlbum Review
Satoko Fujii: Hyaku: One Hundred Dreams
by Alberto Bazzurro
Inciso al DiMenna Center di New York nel settembre 2022, questo album è forse il migliore, il più importante e ambizioso, realizzato dalla pianista giapponese in tempi recenti (e sappiamo quanto corposa sia la sua produzione da un po' di anni in qua). Basta, da subito, scorrere i nomi coinvolti nel progetto (in special modo il grande vecchio" Wadada Leo Smith) per rendersene conto. La musica, poi, ci toglie da ogni dubbio o imbarazzo: siamo di fronte a un lavoro ...
Continue ReadingAlbum Review
Henry Threadgill: The Other One
by Giuseppe Segala
Giunto sulla soglia delle ottanta primavere, Henry Threadgill non lascia sbiadire la propria splendida vitalità creativa. Lo ha fatto quest'anno sia con la pubblicazione dell'imperdibile autobiografiaEasily Slip into Another World, che con una nuova realizzazione discografica, The Other One. Pure questa imperdibile, si colloca tra i lavori che lo hanno visto impegnato esclusivamente come compositore e direttore dell'ensemble, non in qualità di strumentista e solista, sulla traccia dei precedenti Old Locks and Irregular Verbs, del 2016, e Double ...
Continue ReadingHenry Threadgill: The Other One
by John Ephland
Listening to Henry Threadgill's music, the bobbing and weaving doesn't maintain a continuity but can jump from one strand to another, one scene to another, as in a dream. It is tonal and not, just as dreams are, perhaps, rhapsodic or unkempt, the story or plot being as tangible, fungible as a summer breeze. Much is made of Threadgill's chamber-music esthetic. And rightly so. It is so chamber music precise it must all be premeditated, right?" asked the ...
Continue ReadingHenry Threadgill Ensemble: The Other One
by Troy Dostert
Now that Henry Threadgill has begun receiving the accolades he has long deserved--the Pulitzer Prize he won in 2016 for In for a Penny, In for a Pound (Pi Recordings, 2015) being just the most prominent example--it is impressive to find him still relentlessly stretching himself as a performer and composer. Since his first forays into the jazz avant-garde in the 1970s, the maverick multi-instrumentalist has always made music that challenges listeners in exciting ways, but it is his uncanny ...
Continue ReadingSatoko Fujii: Hyaku: One Hundred Dreams
by Dan McClenaghan
Country music artist Merle Haggard (1937 -2016) released 66 studio albums in his day, along with five instrumental recordings and several live and compilation discs. When asked in a late-career interview if his upcoming album was a good one, he answered (paraphrasing). I don't know. I've made so many I don't know if the next one's any good or not." He was probably pulling the interviewer's leg. It is hard to imagine an artist presenting a new work ...
Continue ReadingBassonist Sara Schoenbeck And Pianist Wayne Horvitz Will Release 'Cell Walk' On May 22
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GoMedia PR
New Album is Frequent Collaborators' Debut as a Duo Sara Schoenbeck and Wayne Horvitzhave been musical partners for 20 years, notably in Horvitz’s chamber jazz group The Gravitas Quartet (formed 2004) and his Some Days are Forever Afternoon project (2015, both on Songlines). They formed this duo in 2018 to play a program of their own music—composed, improvised, and everywhere in between, a study of the crossroads where texture and extended technique meet with and support the expression of melody ...
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Music
Patterns From Nature 4: Ripples
From: Patterns from NatureBy Sara Schoenbeck
One Hundred Dreams Part 1
From: Hyaku: One Hundred DreamsBy Sara Schoenbeck



