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Harish Raghavan
Raghavan has played/toured with Kurt Elling, Taylor Eigsti, Vijay Iyer, Ambrose Akinmusire, Eric Harland, Mark Turner, Aaron Parks, Greg Osby, Billy Childs, Benny Green, Geoffry Keezer, Terrell Stafford, Mike Moreno, Rodney Green, Logan Richardson, Fabian Almazan, Justin Brown, Dayna Stephens, Julian Lage, Gerald Clayton, Marcus Gilmore, Walter Smith III, among others.
Raghavan grew up in Northbrook, Illinois, just north of Chicago. At age eight he began studying Western and Indian percussion, and later switched to the double bass at seventeen. He studied bass with John Clayton at the University of Southern California and also with Robert Hurst. During his years in Los Angeles he recorded and played with many legendary West Coast musicians.
In 2009 he was a semi-finalist in the Thelonious Monk International Jazz Bass Competition.
Raghavan is a regular instructor at the Stanford Jazz Workshop and the Jazz at Centrum summer program in Port Townsend, Washington. He is featured on pianist Taylor Eigsti's 2010 Concord release, Daylight at Midnight.
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Geoffrey Dean: Conceptions

by Jack Bowers
Conceptions, the second album by pianist Geoffrey Dean's able quartet, is a neatly drawn recording whose ten original compositions were written by members of the group: five by Dean, three by trumpeter Justin Copeland, and a pair by drummer Eric Binder. The concept behind the album was to showcase a diversity of genres within a jazz setting while emphasizing the group's versatility. As such, it works quite well. Dean is a sure-handed soloist and accompanist, Copeland a ...
Continue ReadingTravis Reuter: Quintet Music

by Glenn Astarita
Released as the long-anticipated encore to his avant-garde debut, Rotational Templates (New Focus, 2011), Travis Reuter's Quintet Music is a masterpiece of musical sorcery, brimming with bold invention and innovative creativity. Reuter, a maverick guitarist who is unafraid to color outside the lines, leads his band of equally audacious virtuosos through a sonic wonderland that most musicians only dare to visit in dreams. The quintet, with Peter Schlamb swapping the traditional piano for the vibraphone, tosses the jazz ...
Continue ReadingGeoffrey Dean Quartet: Foundations

by Jack Bowers
Foundations is a generally swinging debut recording by Washington, DC-based pianist and educator Geoffrey Dean's quartet. The studio date pays tribute to the groundwork laid by its storied predecessors, especially those steeped in the hard bop movement that helped change the course of jazz, well before Dean or his sidemen were born. The album consists of seven relatively unsung compositions by Sam Rivers, Sonny Clark, Duke Pearson, Elmo Hope, Peter Bernstein and Andrew Hill, and two others--Miles ...
Continue ReadingWalter Smith III: Return To Casual

by Dave Linn
Walter Smith III released his debut album, Casually Introducing (Fresh Sound New Talent, 2006), to enthusiastic reviews. On it, he covered Sam Rivers, Charles Mingus and Ornette Coleman and wrote the other six tracks, showcasing a mature and varied sense of composition. His playing and arrangements showed him to be a new, young (he was 26 years old) artist on the rise. Over the ensuing years, he released eight other albums, mainly for European labels. These recordings (including one live ...
Continue ReadingMarquis Hill: New Gospel Revisited

by Chris May
Chicago-born trumpeter Marquis Hill released his first album while still in college and in 2022, just over a decade later, he has retooled it on New Gospel Revisited, recorded live in his hometown with a fresh lineup and tweaked instrumentation. It is a terrific disc. Like his near contemporary and fellow trumpeter Christian Scott aTunde Adjuah, Hill holds his music to be part of a broad musical continuum that includes genres other than jazz, notably hip hop. ...
Continue ReadingAmbrose Akinmusire: On The Tender Spot Of Every Calloused Moment

by Chris May
Trumpeter and composer Ambrose Akinmusire rings the changes admirably from album to album. On The Tender Spot Of Every Calloused Moment is the most stripped down of his Blue Note outings (it is his fifth album for the label). It is made with a quartet. There is no second horn. The sound is ECM-like in its monastic simplicity. At fifty minutes it is also Akinmusire's most concise work to date. And while substantial portions of The Imagined Savior Is Far ...
Continue ReadingHarish Raghavan: Calls For Action

by Friedrich Kunzmann
Several factors make bassist Harish Raghavan's debut album remarkable. The first and most striking is the sense of extreme urgency in the tone of the compositions as well as the disjointed manner with which the instruments search for common ground in and around each other. Another factor can be found in the understated melodic motifs whose arcs sometimes stretch over the entire duration of a tune. Melody in general is critical to the album's appeal. Most of the interplay and ...
Continue ReadingWashington D.c. Based Jazz Pianist Geoffrey Dean Releases His New Quartet Album 'Foundations' Featuring Harish Raghavan, Justin Copeland, Eric Binder

Source:
Scott Thompson Public Relations
Dr. Geoffrey Dean is a jazz pianist, composer, author and educator currently performing in the Washington D.C. area. Dean has recorded and performed with notable jazz musicians across the globe including Terell Stafford, Steve Turre, Greg Tardy, and many others. Dr. Dean recently published an educational book on jazz harmony titled Kenny Kirkland's Harmonic and Rhythmic Language: A Model For The Modern Jazz Pianist. Dean has also contributed as an author on modern jazz piano approaches for the Masterclass series ...
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ACT - Featuring Ben Wendel, Harish Raghavan & Nate Wood Proudly Announces The Release Of Their Second Recording, Act II

Source:
Jason Byrne, Red Cat Publicity
ACT—Featuring Ben Wendel, Harish Raghavan & Nate Wood Proudly Announces the Release of Their Second Recording, ACT II Available on September 18, 2015 CD RELEASE CELEBRATIONS September 16 - The Jazz Gallery, NYC - 8 & 10 PM September 17 - The Blue Whale, LA - 9 PM-12 AM It only takes a few minutes of this debut to clarify just how rousing the group can be... the kind of propulsion that a sax trio needs to grab ...
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From: FoundationsBy Harish Raghavan