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Gary Fukushima
Gary Fukushima is a keyboardist and composer in Los Angeles, as well as a jazz journalist and monthly contributor to DownBeat Magazine.
He has performed throughout the United States, South America, and Asia with Alphonso Johnson and Chester Thompson (Weather Report, Santana, Genesis), Japanese fusion star Senri Kawaguchi, and Blue Note singer/songwriter Priscilla Ahn. He leads his own progressive electronic jazz group which released their debut EP, Preludes, Vol. 1, in 2019, with a full-length album set for release in 2024.
A native of Seattle, Washington, Gary relocated to Southern California in 2003 and is currently active in the Los Angeles music scene, having recorded and performed with Mike Stern, Ndugu Chancler, Katisse Buckingham, Anthony Wilson, Tina Raymond, John Daversa, Anthony Jackson, Clayton Cameron, Gilad Hekselman, Mark Ferber, Alan Ferber, Rickey Woodard, Nick Mancini, Hitomi Oba, Steve Cotter, Cathy Segal Garcia, Nolan Shaheed, Federico Ramos, Jeff Clayton, Mike O’Neill, Joe La Barbara, Larry Koonse, Matt Otto, Darek Oles, Ralph Alessi, Kathleen Grace, Peter Epstein, Abe Lagrimas, Jr., Ben Wendel, Roy McCurdy, and others.
He is on the faculties at California State University, Northridge, Pasadena City College, and the Pasadena Conservatory of Music, and he writes regularly about jazz, having his words published for Downbeat Magazine, LA Weekly, LA Jazz Scene, and other publications, having interviewed or profiled many jazz luminaries including Pharoah Sanders, esperanza spalding, Chick Corea, Abdullah Ibrahim, Wadada Leo Smith, Gerald Clayton, John Clayton, Fred Hersch, Joshua Redman, Todd Sickafoose, Kenny Burrell, Vijay Iyer, Vince Mendoza, Theo Croker, Jenny Scheinman, Dan Tepfer, Mark de Clive-Lowe, and more.
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Joe Santa Maria: Oblique Rhyme

by Jack Kenny
The perennial challenge of balancing individual expression with collective harmony is masterfully addressed by Joe Santa Maria (saxophones), David Tranchina (bass), Gary Fukushima (piano), and Colin Woodford (drums). Their collaboration weaves contemporary jazz with blues and avant-garde elements, crafting an eclectic sound that showcases the quartet's versatility and chemistry. Fukushima's style is strikingly individualistic, marked by an idiosyncratic flair. He fills every open space with stimulating, unpredictable phrases, sidestepping clichés with a nod to jazz's rich history. While ...
Continue ReadingPhi-Psonics: Expanding to One

by Andrew Hunter
Expanding to One, Phi-Psonics' third album, was recorded over six live sessions in front of a small audience in a record shop in Pasadena, with the core quartet of Seth Ford-Young (leader and bass), Josh Collazo (drums) Sylvain Carton (sax and flute) and Randal Fisher (sax) supplemented by 11 additional musicians including Jay Bellrose (recently heard playing with the Jeff Parker IVtet). The tracks they recorded over those dates, and which now make up the four sides of double LP ...
Continue ReadingJoe Santa Maria & David Tranchina: Oblique Rhyme

by Fran Kursztejn
The integral development of post-'70s jazz has nothing to do with instruments, playstyle or compositional ethos. After bop's heyday slowly petered out, its practitioners either holding strong to the tradition or scattering to other genres in the public's favor, the necessity of a studio-produced, hierarchical set seemed to disappear with it. Granted, the bandleader model maintains its popularity today, yet more and more, independent and revolutionary musicians turn toward a more anarchical understanding of the jazz group, prizing polyphony and ...
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Small Hotel
From: In2uitionBy Gary Fukushima