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Joe Santa Maria: Oblique Rhyme
by Jack Kenny
The perennial challenge of balancing individual expression with collective harmony is masterfully addressed by Joe Santa Maria (saxophones), David Tranchina (bass), Gary Fukushima (piano), and Colin Woodford (drums). Their collaboration weaves contemporary jazz with blues and avant-garde elements, crafting an eclectic sound that showcases the quartet's versatility and chemistry. Fukushima's style is strikingly individualistic, marked by an idiosyncratic flair. He fills every open space with stimulating, unpredictable phrases, sidestepping clichés with a nod to jazz's rich history. While ...
Continue ReadingPhi-Psonics: Expanding to One
by Andrew Hunter
Expanding to One, Phi-Psonics' third album, was recorded over six live sessions in front of a small audience in a record shop in Pasadena, with the core quartet of Seth Ford-Young (leader and bass), Josh Collazo (drums) Sylvain Carton (sax and flute) and Randal Fisher (sax) supplemented by 11 additional musicians including Jay Bellrose (recently heard playing with the Jeff Parker IVtet). The tracks they recorded over those dates, and which now make up the four sides of double LP ...
Continue ReadingJoe Santa Maria & David Tranchina: Oblique Rhyme
by Fran Kursztejn
The integral development of post-'70s jazz has nothing to do with instruments, playstyle or compositional ethos. After bop's heyday slowly petered out, its practitioners either holding strong to the tradition or scattering to other genres in the public's favor, the necessity of a studio-produced, hierarchical set seemed to disappear with it. Granted, the bandleader model maintains its popularity today, yet more and more, independent and revolutionary musicians turn toward a more anarchical understanding of the jazz group, prizing polyphony and ...
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